I know, we can barely fit them in. That is a big challenge. Treating four lead characters equally, within a 30-minute format, is definitely challenging.
My main problem with fiction is that once my characters get moving, you just have to follow them along and get out of the way of the story, but sometimes they pull me in too many directions, and I need to focus.
In a novel you have to resist the urge to tell everything.
In a novel, it's hard to keep track of everybody.
I tend to write the episodes in the middle of the season, which can be a challenge because you've got to balance all these threads that have begun - and also make sure they will make sense with the overall plan going forward.
I try not to be too plot-heavy and to balance the dramatic with the comedic.
I'm not a big fan of introducing a bunch of new mysteries into a story without really knowing where they're going because you just end up struggling at the end to make sense of them and make it all seem like you planned it all along.
You always have to be keeping track, especially in this scenario [ The Hateful Eight], of where everybody is. They're pieces on a chess board.
