When invitation come, then I inquire just to see new place or seeing just the one sort of family, then not much interest.
Every place has a story - or a thousand stories. Findery brings places to life, be they where you stand or where you hope to go.
I always had a curiosity about Texas. I had a curiosity about small-town life, although, granted, Odessa's not a tiny town.
Depending on what's happening in the world, what music is coming out, what city I'm in, I do some research on a place I'm going to, get a feel for it, and maybe do something that would be special for that city.
The joy of a road movie is its very simple narrative nature, which is that you know you're going to go through different places and you're going to meet new people. At the same time, you have to not make it feel too obvious and too crudely episodic.
How do you project a character if you don't have a sense of where she is from? I've always just gotten on a plane to go to the area to get a sense of what it is like, to smell it, feel the earth, hear people talk, go to the marketplaces.
Book tours are such a little tapas meal of where I could live.
Moving is what the deal is. I wish I could spend more time in places, but I find I either want to be in a place for an afternoon or like 10 days or a month. I don't like the two-day thing, so I just wish the drives were shorter so you could wake up, take a walk, and spend three hours in one part of the town. I always thought there should be 28 or 30 hours in a day - you know what I mean?
Whatever film it is, the geography has to be right. If I cannot establish it, I'll get lost. I wouldn't even understand it in the first place! I hence visit a place and decide what can be conveyed from where; how that can be incorporated in the story.
I do assume that a character or a place is inexhaustible and will always reward further attention.
