Personality Capture Quotes

The good painter must paint two things: a person and the essence of his soul.

One of hardest for any historian or a biographer to do is to capture convincingly on paper something as ethereal as charisma. It's a relative term, and different generations define it differently.

When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.

The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.

Most people stiffen with self-consciousness when they pose for a photograph. Lighting and fine camera equipment are useless if the photographer cannot make them drop the mask, at least for a moment, so he can capture on his film their real, undistorted personality and character.

Sometimes photographing people is like pulling teeth, trying to get some sort of personality.

It's hard for me to assess what I brought because each time you pick up a camera and point it at a person, you're trying to define that person so to talk generally is difficult because I have to think of a given image in order to conjure up what we're talking about.

The best portraits are those in which there is a slight mixture of caricature.

Did Robert De Niro actually look like Al Capone in 'The Untouchables?' Or did Van Kilmer look like Jim Morrison in 'The Doors?' No. It's the core, the essence of the personality that matters.

I brought my personality and sense of wonder and I think they wrote as much of my personality as they could. I do not go around kicking butt and saving the universe all the time but they tried to capture me as best as they could in the character.

The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.

It's impossible to capture every single facet of someone's personality in a film.

It's shot by Ben Rayner who I think is very talented at doing portrait photography as well as fashion photography. His images never look like a model. You know, it doesn't look like a faceless model just wearing whatever. There's always personality that comes through. That was quite important for me to capture.