Personal Epiphany Quotes

When I was 17, I had an experience that I later learned could be called a 'mystical experience.' It was almost violent. No faces, voices, nothing like that. It is like the world burst and flamed into life all around me. That is not a great image, but it is as good as I will ever do.

I went on a road trip and ended up in Portland, Oregon, and from there, I did non-stop theater. I had just graduated, and I had all these ideas about what good acting was, but I hadn't put any of it into action. I spent five years honing my acting chops. And then I had this epiphany one day that I need to go to L.A.; I need to be on a sitcom.

At first I could not believe what I was reading. I got up from my seat and walked away, talking to myself that I may have found my mom.

In my second year in graduate school, I took a computer course and that was like lightening striking.

Colour has taken hold of me; no longer do I have to chase after it. I know that it has hold of me forever. That is the significance of this blessed moment

At eight, I made a commitment to poetry. Until then, I thought I'd be a policeman. But I went a whole night without sleeping, and the next day the world had changed. It needed a different language.

I went to anything that was on at the Lyceum in Edinburgh. I was quite geeky. There was a production of 'Look Back in Anger' with David Tennant and Kelly Reilly in it, and it blew me away. I still think about it and look back on it as the moment where I decided, 'I want to do that.'

Actually when I was wounded and recovering in Japan. I went to church there and I remember on the air base where their hospital was, I remember coming out of that church and feeling like I had been - at that point I just felt very, very close to God and that I'd done the right thing with my life. And I knew I wasn't going back to Vietnam. I just knew I wasn't going back.

I remember when I was about 15 and still listened to Pet Shop Boys and Chas And Dave, some lad at school lent me a Blur tape, and it had on it a song called 'Bank Holiday.' I said, 'What's this? I liked that tape, but that one song is a bit fast'. He said, 'Yeah, it's punk. It depends what mood you're in.' And then something sort of clicked in me.

When I heard Grateful Dead music, I knew that it was the most powerful force on the planet.

I sailed a bit as a child, but it wasn't until I was around 40, when I was halfway through Patrick O'Brian's 'Master and Commander' novels, that I had the sudden epiphany that I had to go sail on a square-rig ship.

I knew after my first lesson what I wanted to do with my life.

When I found film, it was like, 'Of course!' It was this very intense realization that this is perhaps the most powerful, honed context that I've found.

I remember my first lecture on my first day in evolutionary biology, how populations and species change. I sat thinking, 'Why doesn't everyone know this?' I look back on it almost in horror: I came so close to not knowing how exciting our world is.

My second epiphany came as an intern at the Carnegie Endowment for International Peace. The man I worked for was consumed with what was going on in Bosnia. And the more I knew [about it] the more saddened I was. There were these images of emaciated men behind barbed wire.... It was like, I've got to find a way to do something.

It is easy to see things in retrospect. But I was ignorant then of everything but my own happiness, and I don’t know what else to say except that life itself seemed very magical in those days: a web of symbol, coincidence, premonition, omen. Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together–my future, my past, the whole of my life–and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!

My grandmother took me to a play, and... there was a little girl on stage. And as soon as I saw her on stage, I thought, 'This is my job'... I was probably, like, 7 or 8. I was very young... It was 'Joseph and the Amazing Technicolor Dreamcoat'.

This sounds cheesy but when I would get in discussions with people about religion or spirituality, a lot of people would say, "I believe God is nature, there's God in that tree" - and I would think, What the hell are they on about? But it was about four or five years ago in Hawaii where that all made sense to me and I got it all, and I felt God was in the trees and in the grass and the flowers, and I completely understood.

It was a moment [when I had found God] that so transformed my life. And I say this is so corny, but it was like the grass was green, the sky was blue. And I can't begin to articulate - as much as they say I'm a wordsmith - what really happened.

I had a real come-to-Jesus a couple of years ago when I started to see the direct line between feminism and everything else - feminism and climate change, feminism and poverty, feminism and hunger - and it was almost like I was born again and started walking down the street and was like, "Oh, my God, there are women everywhere! They're just everywhere you look. There's women all over the place!"

What I had thought of before as God, I met today in a human being.

'Australian Rules' was my moment of truth.

I was 12 when I was on stage for the first time and had an epiphany that this is what I wanted to do.

Eventually I came across another passage. This is what it said: I am not commanding you, but I want to treat the sincerity of your love by comparing it to the earnestness of others. The words made me choke up again, and just as I was about to cry, the meaning of it suddenly became clear. God had finally answered me, and I suddenly knew what I had to do.

I suppose the shock of recognition is one of the nastiest shocks of all.