I wanted to only create a great perfume, not any perfume that would sell, but a great artistic one that the fans would not feel cheated by.
I decided to launch a fragrance because Aeropostale approached me about creating one, and it's something that I kind of always wanted to do but didn't think it would actually happen. So when I heard I had the opportunity to create my own perfume, I got super excited.
I really see myself continuing to design clothes, fragrances.
A fragrance is a veritable story, told and explained in scent, in notes, in impressions. It's a score based on the emotions of each instant, a captivating music of the senses.
To be honest, I didn't really understand how involved putting a fragrance together could be - or would be. Once I made the choice to actually do it, I just went for it. I just dove in and have really learned a lot about putting a scent together. It's kind of exciting.
I have total confidence in Beaute Prestige International to accompany me in creating a perfume that interprets my work and my world.
I've always loved to combine different scents to come up with my own unique thing.
I would quite like to create a fragrance for men though - something that I like.
My daughter Lila loves the smell of gasoline - she always says, 'Mummy, keep the door open,' when I'm filling up the car. I've heard it is one of the most preferred scents in the world - maybe that's something to study for my next fragrance!
Once I was done making my album 'Cry Baby,' I knew I wanted to make a vintage-inspired baby bottle perfume.
My fragrance is rose and amber, and I was just very specific. A lot of what I've done, at the stages I've done it, I've been a little naive, which brought with it a kind of charm. I did Stella a while ago. It's now a bit of a classic.
All the perfumes of Arabia will not sweeten this little hand! Oh, oh, oh!
