Performance Pace Quotes

Yeah, I think we have to. If we want our shows to be - if we want the quality of the shows to be good, and we want the energy to be high, and if we want to be in good enough physical shape to do them, and not exhaust ourselves on the road, and not get stale, we have to pace.

A British actor will savour every syllable of a Shakespearean line, while a French actor will drive to the end of a sentence or a speech with a propulsive rhythm: the thing you never say to a French actor is, 'Take your time.'

You've got to learn a pace that's fast enough to win, but slow enough to finish.

Also, from a technical point of view, as you're standing in front of a microphone all day, it's quite a good idea that I should play a laid back sort of character because if he was too frenetic, I'd be exhausted by lunch!

I find painting a much slower process than comedy, where you can go a mile a minute verbally and hope to God that some of the people out there understand you.

I'm a rap comedian the same way Bill Cosby is a jazz comedian, Cosby's laid back. I'm like, bang, bang bang, right into it.

I go to see some big shows of other bands, and I feel like I'm so bombarded and over-stimulated that I lose interest in the music. There has to be light and shade, and less stimulating moments. There has to be an arc to the show.

I always work with the tempo of the energy of the character, whether he's fast or slow, or heavy or light.

Televisison is like a factory line. You need discipline and focus. You have to hit your mark and know your lines. It's not that I don't know my lines when I do a film, but the pace of discovery is always a little bit more relaxed and nurturing and almost babying, in a way. Television toughens you up, and I like that, but I don't want it to toughen me up too much.