Pace Adjustment Quotes

I still play my fast-paced style but when the game slows down it allows you to see the little things - the right passes, where to lay the ball up.

I think it will be good to be in Columbus and get pushed there and then go overseas. If there is a loan, it will be good to get comfortable and get games and get used to the pace of European soccer.

Sports teach you how to be quick. Injuries teach you how to slow down.

There are so many other examples in the Premier League of players who are the best in their country and make a move because they are really ready for a level higher. If they come to the English top flight, it turns out they need a period to adjust in terms of pace, aggressiveness and physicality, especially as a midfielder.

To slacken the tempo...would mean falling behind. And those who fall behind get beaten.

I slow down when hiking. The rhythm of nature is more leisurely. The sun comes up, it moves across the sky, and you begin to synchronize to that rhythm.

You try to take advantage of taking control of the game when you know you may have guys on base and counts aren't in your favor or whatever. You just try to figure out ways to slow the game down to get back to the pace that you want it to be at, to try to get the momentum back on your side.

I'm going to have to get used to the pace of the Premier League and the technical side of it. I had a little taste of it at Hull before they were relegated in 2017, but I've developed a lot as a player since then.

First of all, the first cut of the movie was like three and a half hours and I walked away going, 'Wow, I know there's like twenty minutes that I can cut - ' when I first saw it 'But I don't know after that.' The first time I put up then in front of people I was like, 'Oh, my God, I can take that out and that out and that out.'

It's like you might have some great scene that you love but for some reason - and you can't necessarily put your finger on it - the movie's not working or it seems slow or ponderous in some way, and even though it has your favorite scene in there, actually the favorite scene is the culprit. That's the painful thing about editing, is trying to locate those things that are holding the movie back and then having the guts to cut them. And it is painful to do it.

I was very keen to work on the script with Scott Derrickson and [C. Robert] Cargill, and working out the important story beats, changing lines, upping the comedy, changing the pace, all of that was great fun.

I do the same gig. I might change it a little; I might slow it down if I'm in the South. I talk fast, and they're not used to people talking that fast.

The speed of the TV stuff vs. the self-imposed pace of novel writing has been a big adjustment, and going back and forth often feels like whiplash.