'Somewhere in Time' is in the top-five cheesiest movies ever made. It's super melodrama.
Truthfully, I almost avoided 'While You Were Sleeping,' because I find those romantic comedies kind of precious, and they're full of lines that leave you feeling a little bewildered when you say them.
A lot of times in cinema today the women are overly sentimental, so I constantly try to do the opposite. I like strident women.
Romanticism is the mother of kitsch and that there are moments when the child becomes so like its mother that one cannot differentiate between them
Most acting is very melodramatic. It's not what you see in people.
The kind of poetry to avoid in the pretty-pretty kind that pleased our grandmothers, the kind that Longfellow and Tennyson, good poets at their best, wrote at their worst.
The one thing about 'Beautiful Creatures,' 'The Host' and 'The Mortal Instruments,' which are all well-made movies, is that they were all infected with a dreadful sincerity.
Mushy novels, pretty pictures, pretty sculpture, decorations on the wall, nice parallel lines - make me sick.
Sentimental is not bad, but it's probably the most likely to go awry. It's the hardest to do and not have it end up being 'Forrest Gump' or something. Maudlin - I just don't want it to be maudlin.
If you just tell the story of what the storys about, then it sparks curiosity, but I think it also arouses suspicion, as you say, that it could be overly sentimental. But it so isnt. And I think it was all about doing the inner work and then underplaying everything.
Melodrama is sometimes broadly applied and sometimes derogatorily applied.
The thing that I hate is that Nicholas Kristof style of writing where it's like, "I saw the poor, they made me so sad. What can I do about sadness? I am so brave." It's just like, shut up, man, shut up.
Maudlin scenes where people pour their heart out to one another? I don't want to see it.
