One-Woman Show Quotes

Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.

I am in awe of Ruth Draper.

I want to do a character in a one-woman show who's a yoga teacher from the Bronx. I could do the best accent: 'Raise yaw ahms up! Reach faw da sky!'

I'm writing a book and working on my one-woman show, Learning To Be Human.

I wrote a show - just as a joke, actually - and called it 'Bipolar, Bath, & Beyond,' just to bring some humor to it. I wasn't saying to myself that I'll 'come out' with it - I didn't think there was anything to 'come out' with - I was just writing another one-woman show about my life.

Anna Deavere Smith's new one-woman show bills itself as being about health care, but the truth is that 'Let Me Down Easy' is mostly about the grimmer subject of death and dying.

One of the first memories I have was watching Whoopi Goldberg perform her one-woman show on Broadway on HBO. She moved seamlessly through an array of spirited and soul-stirring characters, each one holding a mirror up to me and allowing me in many ways to see a reflection of myself on screen.

In a one-woman show, there must be compelling material that you adore. In both of these there are conversations with you and another character. My Second City (improvisation) background comes in very handy for accent and body posture.

I'm like Elaine Stritch everywhere.

It's not like suddenly, when you become a working actor all your friends are in the same situation. I have friends who are still handing out flyers for their one-woman show and trying to make ends meet.

'La Lupe' is my passion project. I've done it as a one-woman show, but I'm raising money to turn it into a film. It's a story of a Cuban singer who became the Queen of Latin Soul, the first woman on the N.Y. salsa scene.

I'm not the kind of person who ever thought, 'Oh, a one-woman show - bring it on!'

At the time, I was in L.A., just auditioning and hoping to land a part, dramatic or comedic. I started to feel really stagnant, waiting for a part. I was also taking classes at UCB and Groundlings, and at the higher levels, they focus on writing. It was such a relief to be able to write. During those programs, I wrote a one-woman show called Me, Myself, and Iran, and it ended up getting to Tina Fey. She recommended me to audition for SNL, so I got my first of two auditions through her.

Lily Tomlin...I used to watch reruns of Laugh-In and she was always my favorite part. She's this very unique talent and the way she does things has been a very big influence on me.