On-Set Chemistry Quotes

Yes, Adam Sandler is a good kisser, and other actresses have said the same thing to me. They've come up to me - other actresses who've kissed him - and said, 'Hey, so good, right?'

Lana Turner taught me how to kiss on the set of the movie 'Diane' in the early Fifties.

I loved working with Eric Close and J T Walsh.

I had such an amazing time filming 'Major Movie Star.' I loved everyone in the cast. They all brought their own spirit to the film, and I hope that is what will be seen on screen.

Usually, you don't really end up lifelong buddies with your co-stars.

Working with Kajol was a delight, as we complemented each other. She is a seasoned actor, and there is so much to learn from her.

When the actor you're developing a rapport with is directing, you feel much more camaraderie about scenes, and you can relate in a much tighter way.

I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.

I love that you work out relationships with people as you're filming just to get something real to play on screen.

For any actor, it's very important to make your co-star comfortable.

The Neighbours cast is like a second family.

Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.

Sometimes when an actor and director work together for the first time, it's not as if there's a suspicion, but there is tentativeness, a certain amount of a right of passage you have to go through in order to get there. When it's already there from the beginning, it's such a plus.

I think the chemistry on the Orange set is extraordinary and I’m going to risk and say this: I think by virtue of the fact that there are not so many men, we are free to be absolutely authentic. There is a lot of freedom and trust.

When it comes to casting, I've been so lucky. I've worked with unbelievable actors who make me look better than I am and take the written word and make it honest.

They call David O. Russell the actor whisperer because he can get stuff out of actors that maybe some other directors can't.

On 'Think Like a Man,' they got the best out of me because they allowed me to bring my own cadences and opinions to the character that I was playing. I think we got the best of that particular character.

Directing Mr. Mohanlal was a delight. He's completely there and wanting to know what you want him to do. He's very keen on making sure the director's vision is realised.

We stayed very close to each other [with Leek Kirk], and Lee was amazing. We'd go through the script together, rehearsing it before every shot with the other actors. He was just easy to work with. We were able to put it in my language, which was really important.

When I worked on Altar Boys, they wanted to see us having fun. The four of us would have fun on set and steal each other's lines, and mess with the director.

Sometimes you go into a film and you have no time to prepare and have to compress the details into a few days and then rely on the instinct and what happens when you're in a scene with other actors and that chemistry or not.

For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.

I share a very good rapport with Shah Rukh, so I was at ease working with him, and Imtiaz is a dream director for any actor.

The cast of 'The Big C' is such an amazing group of people. They're so joyful and just open their arms to you as an actor.

I'm sure there are actors out there who work with other actors on a consistent basis - I am not one of them.