All I can do is focus on staying true to the style of music I write and sing because that is the only way it's going to come off as honest.
Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.
I believe, as artists, I do think we have a responsibility, and there's also a place for a lot of different artists. It is nice when music captures the honesty of the time but also what we're going through in that moment.
I never wanted to write the sort of song that said, 'Look at how abnormal and crazy and out there I am, man!'
I've never put out a song that I wasn't completely proud of and that I didn't love. In that sense, I've never felt like I sold out in any way.
I think musicians naturally gravitate toward music that sounds real.
That's what rock music is, I think - constantly searching for authenticity, and being as honest as possible.
I've always appreciated people like Graham Parker or Loudon Wainwright III, who spend their entire lives writing songs and working their asses off just to have complete artistic freedom. They're just sharing their lives with you through their music. That's the same kind of work that I'm trying to do, in my own weird way.
The world is full of bands and bullshit, and if I'm doing a stupid art project like rock 'n' roll then I want to spare my audience as much as possible.
I find it hard to not like music if it has passion behind it and good integrity. Only if it's made for the wrong reasons and shows a lack of respect for its audience will I find something to dislike.
When I write songs I write for myself...I'm writing it as a form of expression, and hoping to find an audience, an audience that responds to music that is honest and lyrical and tells stories.
Back in the day it was like, I got a great record from a great producer and writer and it's a hit single, so let's sing it. But it's different when you're really living out your lyrics.
Sometimes with pop music, you have to see it to love it. With soul music, it's sparse. There's nothing that's pretentious or planned. It's just so gutsy.
I think I'm sort of blind to genre. As long as it has a sort of honesty about it, which I think you'll hear in whatever music you respond to, then I think it doesn't need to be called anything particularly.
If you're performing music that is not who you are or where you're at, it is painful. It's painful for the performer and for the audience.
Being honest and spontaneous is important when making music. But I'm also really logical when I compose.
If I did a Rock record, it would be equally as truthful because I love Rock. I had to actually sing to Bon Jovi one time and I felt like he believed me. He's one of my favorite artists, so there's nothing better than the truth.
People who take risks like Amy Winehouse and Norah Jones take a second to catch on, but eventually they do because they're different and honest in a musical landscape that's not always like that.
When you try to put everything into music, there's no room left to try to make you think we're cool. We know you think we're cool.
There's definitely been some songs in the past that we've put out, and it was purely us going, 'Okay, we think radio will play this. We think this will be a hit. This will be big for the show,' and all this stuff. But it's like, do you really believe in it?
If I find myself just not feeling like writing songs anymore, I think I'll drop it. There's enough bad, insincere music out there. I don't need to contribute to that.
What [Louis Armstrong] does is real, and true, and honest, and simple, and even noble. Every time this man puts his trumpet to his lips, even if only to practice three notes, he does it with his whole soul.
I can make a record with six-part string arrangements and the best musicians in the world and have it be not genuine. I'd rather make a genuine record that I truly stand behind and have it fall where it may.
Anything I sing is supposed to be genuine. It's not supposed to be make-believe or I'm making something for the crowd to jump or to hold up their hands.
I wouldn't ever do a radio edit because I feel like it would totally go against the point of 'Follow Your Arrow.' I just think you're going to like it or not like it.
