The great countercultural movement that we all know from the mid-1960s was epitomised by popular music. But within a few years another shift happened: the birth of alternative theatre.
Punk was over in two years. That was the only damn good thing about it.
We told you Wu-Tang was forever, and some people forgot that. It's not some fad.
Nirvana was like that- Nirvana was like the only band to come out of that- it was like the same thing, Seattle was like this whole scene and it was like this big scene that was thrust upon America.
Hip-hop became the voice of rebellion and the youth, as rock music did in the '60s.
I want to have a movement with my music.
I'm trying to help Apple Music be an overall movement in popular culture, everything from unsigned bands to video.
Gangsta rap was the most important movement since the beginning of rock n' roll.
I was in New York in 2014. It was still cold outside. I was sitting there working on 'Exchange' and 'Right My Wrongs' at the time, and a fan had commented on one of my songs called 'Let Em' Know' that was already on my SoundCloud and said, 'trapsoul movement.'
I think that music is a very, very powerful thing, especially when you have a movement like this [CBGB club] to shed new light on music and the power of it.
The kind of organic wave, the way that waves move, and I'm not just talking about feminism, the way that a social movement might rise like a wave. It's harder to build any kind of wave now. Things are important to you and then they recede within a day. That's the only thing that keeps me from believing that there's going to be any one organic big wave; although the Americana (music) thing has been happening for a while.
People were talking about songs of the common man in order to make the common man. With Woody Guthrie and Lead Belly, they were so common it was just uncommon.
I'm on the rise and whatnot, but I'm not the man to say, 'All right, world, here's grime.' It's gonna take me, Skepta, JME, Novelist and Lethal Bizzle, to say, 'I'm sick, he's sick, he's sick, he's sick'. Not one man can do it.
Musically, there's a movement called the flatted fifth that's really evil-sounding. It was outlawed by the Catholic Church during the Middle Ages. That movement is what gives you a real evil sound that conjures up dark, fantastic images. It's like an audio horror movie. It personifies what a horror movie is about.
When pop culture can influence things in any way, when a song becomes something bigger than just a song, that's the greatest thing to me.
When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.
There's this wave of new pop-punk bands that has come out that's bigger than ever. I'm really glad that we got to be a part of helping push that forward, if we did at all. I wouldn't have had it any other way.
What I love about 'Midnight Train' is that it's a song about a journey, but the music actually takes you on that journey. It feels like you're moving through the whole song.
PnB is like a movement, a whole movement is going on.
Any club is important. All Latin music movements are born in clubs. There is no better research than going to a club. If your music works, it will bounce up.
One of the reasons why I thought it was a good decision to put Def Jux on hold is that it's a hell of a lot easier to dismiss something as a movement than to dismiss individuals making good records.
It isn't a band. It's bigger than a band. It's a lifestyle.
I remember hearing songs from the Mother Love Bone album, and hearing Alice in Chains, and feeling like this is more than just a fad or moment.
My love for the female hip hop movement has always been genuine.
Rock and roll music, if you like it, if you feel it, you can't help but move to it. That's what happens to me. I can't help it.'
