Music Industry Dynamics Quotes

Corporations have steered the industry into what it wants, and a lot of times they will make artists record what it wants or to make songs talk to who they want to talk to. But sometimes the heart and the head have to be able to talk and deal with a situation that's evident.

The music industry has always been a beast, which would eat you up and spit you out.

Country music was a part of my life. Now it isn't. We had a good relationship, really, but we wanted each other at arm's length. The people in Nashville didn't want to be responsible for my looks or my actions. But they sure did like the listeners I brought.

I've never been in the studio where it felt like I didn't have a voice. Whether I was co-producing or producing by myself, this community is the one place where I really see democracy at its purest.

When a record company makes a mistake, the artist pays for it. When a manager makes a mistake, the artist pays for it. When the artist makes a mistake, the artist pays for it.

Boys were a very essential part of rock & roll. The girls were more onlookers.

Music and the music business are two different things.

A lot of rappers want somebody to always sing on their records. If you can hold a note, they're gonna' ask you to come and be apart of their creativity. At that time, they were eager and on the streets selling drugs or in the studio making music. That was a big part of our lives were I grew up.

The big, big record labels have so much control. I think too much control that it actually made their artists scared to not do what they were told and then the music suffers because of that dynamic and now there's the power of the download.

The truth is that the music business is mean and honest and brutal.

I'm constantly learning as a songwriter, so naturally that makes you grow as an artist. But I also think the more time I spend in music the more time I feel I understand it; or at least I understand where I stand amongst the industry and my identity within it all.

You just do you like when you're doing any other song. It's nothing different. Some people are like "How's it like working with Kendrick Lamar?" and really, it's like working with anyone else that I work with.

When bands come from that underground scene and go into the mainstream, people just hate it. And it blows my mind. If you're saying you don't like what pop culture is, then change it. And when someone does make an effort to change it, everyone rebels against it and hates it. You can't win. People just want that division to exist. They don't want that division to go away.

Dawes kind of, on purpose, were like, "Let's realize that we're going to make less money, but let's try to get as many fans from as many kind of demographics as we can." And I feel really lucky that our music exists in this world where we can open for artists like M. Ward or Bright Eyes, and then on the same side of that open for Alison Krauss.

The music business is really, really small. The real music is becoming almost extinct, if you don't stay true to who you are.

I can give you my personal opinion: love the music, hate the business. It's a screwball business, and there are a lot of players who will straight-up lie to you.

I do not think it is any benefit for artists or fans to have all the new, wide distribution channels in the online world controlled by those who have controlled the old, narrower ones, .. This is especially true if they achieve that control by leveraging their dominance in content or conduit space in an anticompetitive way to control the new, independent music services that are attempting to enhance the consumer's experience of music.