Music Imitation Quotes

Guys like Future and me, we help create and shape the sound of music - not just Atlanta music, but music all over. If you really pay attention to the music being made, a lot of that is very heavily influenced by the stuff that we created. I listen to so many songs that's like, 'Damn, this sounds like my music!'

As a kid, I was trying to copy what I heard. Namely, I was just listening to producers I looked up to, like 45 King and Marley Marl, and trying to do what they were doing.

I hear a lot of influence from me and Timbaland's whole sound in a lot of records of today. But if you have classics like that, then I'm sure you gotta expect that it's gonna influence some people. So, I'm fine with that.

I got this Christmas gift with the entire Beatles catalog. I had fun trying to duplicate what I was hearing on these records, only using the instruments I had at hand - an acoustic guitar, and that's all. It was endlessly amusing to me to try to imitate John Lennon and Paul McCartney's harmonies using the guitar.

There are so many songs I've recorded, only to hear other people singing them. It happens all the time.

It was endlessly amusing to me to try to imitate John Lennon and Paul McCartney's harmonies using the guitar.

It's valid that the Strokes and the Pleased have been influenced by some of the same bands. But it's invalid in the sense that we listen to the Strokes and try to sounds like them. I think that they are a good band.

I was just obsessed with soul singers who had these big powerful voices. I used to listen to Aretha, Whitney, Mariah and try and imitate them, note for note and riff for riff.

I took some lessons as a kid but trained myself by ear. I did it the way jazz musicians used to learn years ago, which is to play records and slow them down to figure out the notes. At first I tried to imitate Red Garland, who was my favorite jazz pianist.

I've been playing for aeons now, but way, way back, I remember Eddie Van Halen came out, and I loved his playing. He was amazing. But then everyone started copying his guitars with Floyds, and I didn't.

There are so many times I turn on the radio, and I hear a guy, and I have no idea who it is because it sounds like four other people.

I'm a fan of Otis Redding. I've sat around trying to copy some of his phrasing and learn from him, but it kinda falls short.

Tribute bands have kind of taken over the market, and I don't want to come across as being that.

I'm not a singer, so I reproduce a little bit what I see on television and what I listen to on the radio. I don't have self-control, really, so I didn't want to sing like Mariah Carey.

I would listen to Little Richard and Fats Domino and Chuck Berry, and I would listen to how they played their riffs, and after I taught myself that, I taught myself to play my own kind of stuff.

I don't want impersonators playing our music badly.

I had this voice when I was in high school, except nobody thought much of it then. I developed it by imitating singers I admired - Alison Moyet, Boy George, later on Nina Simone.

I spend a lot of time copying saxophone players and trumpet players.

There's fifty bands doing my riffs for ever and ever.

You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.

You know, your ears record. You might can sing a song once you hear it.