I went from a naive, regular girl in high school to trying to realize my dream. When my family moved from the East Coast to California, I thought in my little brain, "Wow, I'm going to Hollywood. I could actually make this happen." It was easier for me to think it's possible living in a place like Los Angeles than trying to do it in suburban Maryland.
I didn't really start doing stuff until I was 8 or so, but I was an extra in a bunch of different movies, and I just really took to it and really enjoyed it. I kind of bugged my parents to give L.A. a shot, and they were just super-supportive.
I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.
There wasn't very much going on in London about five years ago, and I just took a ticket on spec and went to Los Angeles. I think it was in my second week that I auditioned for 'Battlestar.'
When I was up in Washington state, I always thought, 'I'm going to go to Los Angeles where films are made and stories are told, and they're going to love me and welcome me with open arms.' But, there was no welcoming committee.
If I'm in L.A. for longer than 20 days, I'm looking for work, because I don't do vacations.
I said, going into acting, 'I'm never moving to L.A.,' because it scared me. But there was no way you could build an acting career in Orange County.
I have the cliche 'struggling actor' story. I was waiting tables in New York, went out to L.A. soon after graduation to get some jobs, but it didn't work out. I wanted to cut my teeth in professional theater, so I came back to New York. It made my journey a longer one, but I really wanted to excel in the theater.
I do see myself going to LA. Not anytime soon.
I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.
When I realized that you can't necessarily be cast in a really great part living in Austin, even when Hollywood comes to town, I got a demo reel together and headed out west.
I went to a public high school with a magnet program for law and psychology. But right before my junior year, I decided that I wanted to leave and become an actress, so I graduated early and moved out to L.A.
In the very early Seventies and the very late Sixties, nobody out here was originally from L.A.
When I came out to Hollywood, I was a crazy young kid who didn't have a lot of direction.
People say, 'Oh, you're famous now, so you must go to L.A.' - I don't live in L.A. now - but it's like, why wouldn't you? The weather is amazing, the film industry's there, it's a great quality of life.
Even now, when people come up to me and say, 'My kid's an actor. They want to move to L.A. What should they do?' Even if you wanted to help them as much as possible, there's really nothing you can do.
I started acting when I was 13 in New York. Worked there for a couple years, then auditioned for a show there that was going to be filming here. Ended up coming out, getting the job and just staying.
At a very young age, I was in Germany watching TV and I told my mom I wanted to be an actor. She said, 'Go for it.' When my dad retired from the military, we moved to Los Angeles, and it all kicked off.
I had been doing plays in New York and on a whim we packed up and moved West, I started doing commercials and plays and guest star spots on TV and one thing led to another and I got Knots Landing.
I can safely speak for Melissa when I say both of our plans when we moved to L.A. was probably very similar, which was, 'If I can make any kind of a living doing something I really enjoy, then, hooray.'
I graduated from the University of Oklahoma, and I got the opportunity to take some on-camera classes while I was in school and met a casting director who informed me quite a bit before my move out to L.A.; it made L.A. feel possible, coming from Oklahoma and not having a family that was in the industry.
I was looking for a dog when I was around 9 or 10 years old. I'd just moved to L.A. and I was working on a lot called Hollywood Center Studios. One day, a dog adoption company came to the lot and were passing around flyers saying they'd have RVs the next week full of adoptable dogs from a no-kill shelter. So I was really happy about that.
Los Angeles has been great to me, and I have a home there, and I'm so lucky I get to do what I do for a living. But I did not go down to Los Angeles really even with the intention of staying.
My first job after graduating was working with Robert Zemeckis. I got a job a week after graduating and moving to L.A. So I got to work on 'What Lies Beneath' and 'Castaway' as a PA, which is basically like a gopher.
I was lucky to book a show pretty quickly after getting to L.A., but I struggled getting started in Vancouver. If I had gotten those earlier roles in Vancouver, I wouldn't have gone to L.A. to get the show that launched my career.
