Minimal Production Quotes

We don't dance because we can't dance. Our shows, production-wise, are always quite minimal. We always try and keep it more about us having fun and stay away from gimmicks.

When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.

As I started to study old blues recordings and really pay attention to my favorites, it really started to come to me that all of my favorite pieces of music weren't produced, they were performed. The producer is nearly invisible: no thumbprint other than the composition and the performers.

R&B and all that stuff was always very spare and spontaneous. Nobody made those records under solid gold situations. It was just in and out, and you didn't labor over the thing. I like music like that.

I thought that some of my best records was when there wasn't a lot of work being done on it, like 'Winter in America' and 'Secrets' and when there weren't a whole lot of people in the studios.

The idea of 'raw' music, to me, is honesty: getting people to feel you with the least amount of production possible, the shortest distance traveled emotionally, sonically.

For KRS-One, I have a specific sound - sparse drums and bass. I try to steer away from elaborate productions.

I shall argue that it is the capital stock from which we derive satisfaction, not from the additions to it (production) or the subtractions from it (consumption): that consumption, far from being a desideratum, is a deplorable property of the capital stock which necessitates the equally deplorable activity of production: and that the objective of economic policy should not be to maximize consumption or production, but rather to minimize it, i.e. to enable us to maintain our capital stock with as little consumption or production as possible.