Art imitating life and life imitating art, and it's beyond the job - it will always be a marked period in my life.
Sometimes art imitates life.
I feel like art imitates life and life imitates art.
I want paint to work as flesh... my portraits to be of the people, not like them. Not having a look of the sitter, being them ... As far as I am concerned the paint is the person. I want it to work for me just as flesh does.
Though collecting quotations could be considered as merely an ironic mimetism -- victimless collecting, as it were... in a world that is well on its way to becoming one vast quarry, the collector becomes someone engaged in a pious work of salvage. The course of modern history having already sapped the traditions and shattered the living wholes in which precious objects once found their place, the collector may now in good conscience go about excavating the choicer, more emblematic fragments.
I think it's funny when people, they try to imitate the 'Chandelier' video. I think it's hilarious.
The oldest theory of art belongs to the Greeks, who regarded art as an imitation (mimesis) of reality. The strength of that theory is that it explains the way in which art takes its materials from real life.
On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult.
Literature can no longer be either Mimesis or Mathesis but merely Semiosis, the adventure of what is impossible to language, in a word: Text (it is wrong to say that the notion of 'text' repeats the notion of 'literature': literature represents a finite world, the text figures the infinite of language).
The painter sees the semblance of things and repeats it. That is, without fabricating the things himself, he fabricates their semblance; and, if that no longer recalls any object, this artificially produced semblance functions only because it is scrutinized for likeness to a familiar - that is, object-related - semblance.
Tragedy is an imitation not only of a complete action, but of events inspiring fear and pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will then be great than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design.
For the Chinese, the Greeks, the Mayans, or the Egyptians, nature was a living totality, a creative being. For this reason, art, according to Aristotle, is imitation; the poet imitates the creative gesture of nature.
There are three arts which are concerned with all things: one which uses, another which makes, and a third which imitates them.
Though collecting quotations could be considered as merely an ironic mimetism
As man, as beast, as an ephemeral fly begets, Godhead begets Godhead, For things below are copies, the Great Smaragdine Tablet said. Yet all must copy copies, all increase their kind.
There is something thrilling in the mimesis of life's surprising unfolding.