Mexican Identity Quotes

I'm a Trump guy. I wasn't in the beginning, of course. I'm Mexican, when he said we need to take all the Mexicans out of United States... well, good luck on that one. They'll find a way to get back here anyways.

Mexico for the Mexicans

There is a heavy Mexican Catholic streak in my movies, and a huge Mexican sense of melodrama. Everything is overwrought, and there's a sense of acceptance of the fantastic in my films, which is innately Mexican. So when people ask, 'How can you define the Mexican-ness of your films?' I go, 'How can I not?' It's all I am.

Mexican Spaniards sought to deny their Spanish origins by identifying themselves with an idealized Indian past and creating the myth of “Our Lady of Guadalupe” as an independent source of religious authority for the Mexican Church.

I was born in Mexico, I grew up in Mexico, and along the way, I learned to love Mexico. I think anyone who has stepped foot on this land - not to mention all Mexican people - will agree that it's not difficult to love Mexico.

I'm just blessed because I'm Mexican. Mexican Americans have amazing hair!

Mexico extends beyond its borders.

I was the depository of the will of the Mexicans

I am very proud of the fact that I get to go out there every day and train in order to represent the Mexican people, and I can only hope they look up to me in a similar fashion.

It's my heritage overall, my people. Mexicans are known for being hard-working people, showing a lot of heart. I wanted to show people I am Mexican and I'm proud of it.

I have never denied my background or my culture. I have taught my child to embrace her Mexican heritage, to love my first language, Spanish, to learn about Mexican history, music, folk art, food, and even the Mexican candy I grew up with.

When you talk about me as a fighter, I like being known as a Mexican fighter. I think 'Mexican' or 'Hispanic' should be mentioned.

In 'Where the Air is Clear', Carlos Fuentes composed a polyphonic portrait of Mexico City amid the growth and modernization brought on by the economic boom of the 1950s. The novel can be read as a jazz interpretation - free and in a Mexican key - of John Dos Passos' 'Manhattan Transfer'.

You have an absolute freedom in Mexican writing today in which you don't necessarily have to deal with the Mexican identity. You know why? Because we have an identity... We know who we are. We know what it means to be a Mexican.

I hope for my children, and for all Mexicans, that they can be proud to be Mexican, proud of their heritage, and proud that they have a peaceful, inclusive, vibrant country that is playing a role in the world.

I think the biggest insult, the worst way you can offend a Mexican, is to insult their mother. A mother is the most sacred thing in life.

Man is alone everywhere. But the solitude of the Mexican, under the great stone night of the high plateau that is still inhabited by insatiable gods, is very different from that of the North American, who wanders in an abstract world of machines, fellow citizens and moral precepts.

We're Mexican not Mexican't!

No other immigrant group in American history has asserted or has been able to assert a historical claim to American territory. Mexicans and Mexican-Americans can and do make that claim.

People who know Mexico know me because I'm so much a part of Mexico.

It's really tough to be a Mexican on 'Breaking Bad.'

There won't be a law with sanctions, but Mexicans and Mexican consumers will know how to value those companies that are loyal to our national identity and those that are not.

I wanted the music to sound, like, made in Mexico. I wanted to connect to my roots.

When confronted with a clear definition of what it is to be Mexican, we encounter ourselves in a never ending allegory of mixes and chaos.

Puerto Rican culture is very different from Mexican culture. Part of the Mexican psychology is the idea of being an immigrant or being illegal or being confused with that. That doesn't happen with Puerto Ricans, because you're a commonwealth.