Mainstream Film Quotes

One Missed Call,' it was regarded as a mainstream film for my career because it was big budget and filmed in Japan and it really opened wide in Japan, it did really well commercially. So I was really surprised.

'Piku' is not at all a film in the Bollywood kind of way.

The original deal we made was that Walker would be treated like a regular movie, rather than an arthouse thing.

I grew up on the commercial film format. I have grown up all my life watching films and they have all been mainstream commercial cinema.

I just want to act - commercial, mainstream, niche or art - my choices are not defined by labels.

'It's a Wonderful Life' was a mainstream Hollywood movie about faith, redemption, religion, and it was rated G.

If the script is right, I'm not above doing a movie with broad appeal.

I never had a desire to leave mainstream Hollywood. And still don't think that I've left mainstream Hollywood.

I was fortunate enough to get an author-backed role in Aamir Khan starrer 'Talash.'

Dolly Ki Doli' excited me because it has unique characters. Though it is a smaller film and without a big star, it is still a mainstream film.

If you make a film normally it's all right, the distributors are helpful and cooperative. But if you make a film that's a little stange, a little bizarre, then all the time it's a struggle with them.

'The Book of Love' is the kind of James L. Brooks mainstream movie that the majors are ignoring.

Very rarely does a mainstream film push the envelope. A film that's so-called mainstream and questions certain norms, certain notions of morality, and gets away with it opens doors. It means the common man, the majority of the people, have accepted it.

Hollywood today is all about being consistent. All thinking in mainstream film business takes place in one box.

North-east films are still not on a national level. But 'Axone' is a mainstream film. I found the script very authentic and also very funny.

I really appreciate anyone trying to inject art into mainstream film.

I want to balance my projects. Ideally, I'd like to do at least one indie film, a mainstream movie, and a TV series in a year - the best of both worlds.

With 'The A-Team,' it was like, 'Alright, I'm going to do a big popcorn movie and see how that feels.'

Vada Chennai' is a proper mainstream film, told in a sensible way.

I think it's pretty obvious that women's stories are not necessarily being told in Hollywood and women are not necessarily being put in the leadership positions they deserve in mainstream film.

On a big film, there's almost no way you can meet everyone. On an indie, there are 30 people and no trailers to duck into.