The movies I'm in not a lot of people see, but it's alright.
You ain't ever gonna get an Academy Award for doing 'Crank,' and you certainly won't for doing all the other movies I've done.
And it's exactly what's wrong with the radio. It's like...anything that tries to appeal to everybody always ends up sounding so cheap.
Horror does better when it's bubbling under. It's a niche. It doesn't like the limelight.
The best music out there isn't on the radio.
I mean there's certainly a lot of progressive rock and metal that exists at the underground level, which has its own vitality, as it should. But it seems to have lost its ability to really charge up the hill.
There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
Things meant to appeal to the masses usually end up appealing to no one.
