Love And Death Quotes

I can’t think of any greater happiness than to be with you all the time, without interruption, endlessly, even though I feel that here in this world there’s no undisturbed place for our love, neither in the village nor anywhere else; and I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more.

Yet each man kills the thing he loves, By each let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword! Some kill their love when they are young, And some when they are old; Some strangle with the hands of Lust, Some with the hands of Gold: The kindest use a knife, because The dead so soon grow cold. Some love too little, some too long, Some sell, and others buy; Some do the deed with many tears, And some without a sigh: For each man kills the thing he loves, Yet each man does not die.

I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.

Though I am young, and cannot tell Either what Death or Love is well, Yet I have heard they both bear darts, And both do aim at human hearts. And then again, I have been told Love wounds with heat, as Death with cold; So that I fear they do but bring Extremes to touch, and mean one thing. As in a ruin we it call One thing to be blown up, or fall; Or to our end like way may have By a flash of lightning, or a wave; So Love’s inflamèd shaft or brand May kill as soon as Death’s cold hand; Except Love’s fires the virtue have To fight the frost out of the grave.

Love is strong as death; but nothing else is as strong as either; and both, love and death, met in Christ. How strong and powerful upon you, then, should that instruction be, that comes to you from both these, the love and death of Jesus Christ!

We value love not because it's stronger than death but because it's weaker. Say what you want about love: death will finish it. You will not go on loving in the grave, not in any physical way that will at all resemble love as we know it on earth. The perishable nature of love is what gives love its importance in our lives. If it were endless, if it were on tap, love wouldn't hit us the way it does.

Every man's death is standing in for every other. And since death comes to all there is no way to abate the fear of it except to love the man who stands for us.

Death is beautiful. It alone gives love its true habitat.

The same authorities who insist upon beginnings, middles, and ends, declare that Great Literature (by which they mean the stories they have been taught to admire) is about love and death, while mere popular fiction like this is about sex and violence. One reader's sex, alas, is another's love; and one's violence, another's death.

I would rather live and love where death is king than have eternal life where love is not.

People kill for love. They die for love.

Love's over brimming mystery joins death and life. It has filled my cup of pain with joy.

When my friend Melot set the trap, I think I knew it. I turned to death full face, as I had turned to love with my whole body. I would let death enter me as you had entered me. You had crept along my blood vessels through the wound, and the blood that circulates returns to the heart. You circulated me, you made me blush like a girl in the hoop of your hands. You were in my arteries and my lymph, you were the colour just under my skin, and if I cut myself, it was you I bled. Red Isolde, alive on my fingers, and always the force of blood pushing you back to my heart.

And tonight our skin, our bones, that have survived our fathers, will meet, delicate in the hold, fastened together in an intricate lock. Then one of us will shout, "My need is more desperate!" and I will eat you slowly with kisses even though the killer in you has gotten out.

I love how 'Game of Thrones' has resonated with so many people around the world. I feel like it has really tapped into our need to hear stories about the human condition, love, death, good, evil... For me, it really is a modern version of the old Greek theatre or cave men sitting around fires telling stories.

Love is anterior to life, posterior to death, initial of creation, and the exponent of breath.

We have to realize that we are as deeply afraid to live and to love as we are to die.

Feminist art is not some tiny creek running off the great river of real art. It is not some crack in an otherwise flawless stone. It is, quite spectacularly I think, art which is not based on the subjugation of one half of the species. It is art which will take the great human themes -love, death, heroism, suffering, history itself -and render them fully human. It may also, though perhaps our imaginations are so mutilated now that we are incapable even of the ambition, introduce a new theme, one as great and as rich as those others -should we call it joy?

Never dreaming, was I, poor Jack Duluoz, that the soul is dead. That from Heaven grace descends . . . No Doctor Pisspot Poorpail to tell me; no example inside my first and only skin. That love is the heritage, and cousin to death. That the only love can only be the first love, the only death the last, the only life within, and the only word . . . choked forever.

Death and love are the two wings that bear the good man to heaven.

Even though we look at the past through the lens of distance and think that because people are wearing different clothes or have different technology, their experiences are different, it's all the same, right? Our experience of love and sex and death are the same in any time period.

If the human condition were the periodic table, maybe love would be hydrogen at No. 1. Death would be helium at No. 2. Power, I reckon, would be where oxygen is.

The great river-courses which have shaped the lives of men have hardly changed; and those other streams, the life-currents that ebb and flow in human hearts, pulsate to the same great needs, the same great loves and terrors. As our thought follows close in the slow wake of the dawn, we are impressed with the broad sameness of the human lot, which never alters in the main headings of its history--hunger and labour, seed-time and harvest, love and death.