London Theater Quotes

'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.

The London theater community has been very gracious to me.

I've always wanted to perform on the London stage.

The fame of Maria Foote's beauty and charm of manner had reached London, and in May 1814, she made her first appearance at Covent Garden Theatre and personated Amanthis in 'The Child of Nature' with such grace and effect that the manager complimented her with an immediate engagement.

For me, it's all I've wanted to do. I did local plays and productions, local theater groups and anything that involved it. And then, I went and studied it, attended drama school and got my first lucky break in the theater in London, and just went from there.

I had a role in 'Crossroads' when I was about 21, and then I went on to perform in 'Small Change' and then 'Piaf' in the Donmar Warehouse, London, and it was when I was there that some casting directors spotted me.

On Broadway and in the United States it's very different - people crossover all the time into television. I think that we'll get there [in London] in the end, but it has to start with who comes to see you in the musical and whether they can see beyond the dancing and the singing.

I think I got into acting because I kind of had not much else to do! I guess I was kind of looking for something challenging. I heard about the London Theater scene and it was very different from the upbringing that I had and it felt like a challenge. And the whole sort of London Theater schools, I was told that 6,000 apply and there are like 30 accepted to each one. I was like, "Yeah. Let's see if we can do that!"

I was in 'Hair,' which didn't work in London, but it was a show we all believed in.

To be a young Irishman in London and go to the theater to see 'Rosemary's Baby'... it scared the crap out of me.

I started off in musical theater, yeah. It was one of my first jobs; it was in Spring Awakening in London, which was amazing.

I got to see my mom do 'Long Day's Journey' in London, which was really beautiful.

I always thought from my knowledge of London theater and the audiences here that they would appreciate a truly genius piece of theatrical work.

When I lived in London when I did 'Wicked' there, everyone told me the audiences might be much more reserved, but I found it was completely the opposite. They jumped to their feet sooner, even more enthusiastically than the New York audiences did, and they were just as warm and as enthusiastic and supportive as New York.