Literary Diversity Quotes

Every book is a unique experience.

If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.

There's a thriving field of self-published stuff in, particularly, black fiction. I don't know that other groups of people of color have that same recourse.

My house is filled with books, most of which I have read, some of which I intend to eventually get to. I'm always reading at least one work of fiction and one work of non-fiction simultaneously. Whatever mood I'm in, there's always a book nearby to suit it.

I always have kind of a few books going at the same time.

Poetry does so many different things, it's difficult to say anything definitive about its role, which of course varies from culture to culture. It can range from being stories of the tribe to the private lyric, to being as W.H. Auden said "the clear expression of mixed feelings" to nonsense verse.

There was a hole in Washington fiction, I felt, when I started out. Most D.C. novels were about politics or the federal city or people who lived in Georgetown or Chevy Chase - it was definitely a very narrow focus.

Novels without female characters were a lifeless desert.

Which is the healthier kind of literary diversity: an un-gate-kept self-published book world, run substantially through Amazon? Or our current book world, which is part-gate-kept, part-not, with many different publishers and retailers and platforms? I'm not smart enough to figure it out, but if I had to guess I'd guess the latter.

Every novelist should write something for children at least once in his lifetime.

We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.

New voices in an old art - and women poets have been that for much more than a century - do not diminish the art through the category. They enrich it. They renew it with common quandaries of craft and innovation. The category simply allows the quandaries to be seen more clearly.

I like the idea of trying to write a book in every genre.

It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.

In my perfect world, we'd have one black girl fantasy book every month. We need them, and we need fantasy stories about black boys as well.

There are many, many types of books in the world, which makes good sense, because there are many, many types of people, and everybody wants to read something different.

Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.

In an age when other fantastically speedy, widespread media are triumphing, and running the risk of flattening all communication onto a single, homogenous surface, the function of literature is communication between things that are different simply because they are different, not blunting but even sharpening the differences between them, following the true bent of written language.

There are now 30-year-old Mexican writers who do great novels in which Mexico isn't even mentioned.

Literature is a vast forest and the masterpieces are the lakes, the towering trees or strange trees, the lovely, eloquent flowers, the hidden caves, but a forest is also made up of ordinary trees, patches of grass, puddles, clinging vines, mushrooms, and little wildflowers.

If all you leave in the library is books that you think speak to everyone, what are you going to have? You'd have nothing.

There weren't too many books by women that were taught in school, so I read those on my own, and the books I read were as accessible as the ones we were reading in school.

Usually I read several books at a time - old books, new books, fiction, nonfiction, verse, anything - and when the bedside heap of a dozen volumes or so has dwindled to two or three, which generally happens by the end of one week, I accumulate another pile.

It's in being read that a book becomes a book, and in each of a million different readings a book become one of a million different books . . .

The Bible was not written for entertainment purposes, so it's a real hodgepodge and a compendium of all kinds of stuff.