Literary Awakening Quotes

If the book we are reading does not wake us, as with a fist hammering on our skull, why then do we read? So that it shall make us happy? Good God, we should also be happy if we had no books, and such books as make us happy we could, if need be, write ourselves. But what we must have are those books which come upon us like ill fortune, and distress us deeply, like the death of one we love better than ourselves; like suicide. A book must be an ice-axe to break the sea frozen inside us.

The glory of a next Augustan age A golden age of poetry and power Of which this noonday’s the beginning hour.

One of the first things that helped me to understand certain things about writing was seeing 'The Iceman Cometh' in the Village when I was a kid, before I ever became a newspaperman, and realizing that the world I knew could also be the subject of some amazing stuff.

One of the most beautiful passages of Rousseau is that in the sixth book of Confessions, where he describes the awakening in him of the literary sense. Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake, has most.

I just feel that 'The Color Purple,' which was my 10th book, was a true gift from my ancestors.

Writing 'Redeployment' shook me in ways I never expected.

I started reading literature at 17 or 18, and I felt this extra beat to life.

I remember telling my second-graders the basic 'Metamorphosis' story, saying, like, 'What about - what if a guy woke up one morning and he was a bug? Wouldn't that be weird?' And they loved that. And I think that was the trigger that made me think, like, 'Oh man, here's my audience. They're just a lot shorter than I ever thought they might be.'

When I was twelve. And I was going through my parents' bookshelves, I found the most wonderful books and plenty of. Within those wonderful books that were real turn-on's. At 12 or 13, books were such turn-ons.

When I read Jerome D. Salinger's "The Catcher in the Rye" that was the first time I felt my mind blow open. I thought that book was speaking to me. I was 12 or 13 when I read that. I read everything on my mother's bookshelves.

There is something else which has the power to awaken us to the truth. It is the works of writers of genius. They give us, in the guise of fiction, something equivalent to the actual density of the real, that density which life offers us every day but which we are unable to grasp because we are amusing ourselves with lies.

I met Donald Barthelme when I was 30, and it's fair to say that before that moment, I was pre-modern, and after I met him, I was nudged rather forcefully towards this other end of the spectrum.

My first book was the book that changed my life.

I was in my senior year of high school when I read 'Notes From Underground' by Dostoyevsky, and it was an exhilarating discovery. I hadn't known up until that moment that fiction could be like that. Fiction could say these things, could be unseemly, could be unsettling and distressing in that particular way, that immediate and urgent way.

I think that the first book that made me think that I could try to be a writer - or that made me aware that a young black woman from the South could write about the South - was Alice Walker's 'The Color Purple,' which I read for the first time when I was in junior high.

I remember coming upon Philip Larkin in my 20s in the early '60s and when Sylvia Plath's "Ariel" came out it knocked me off my feet.