I read a lot. I liked a tremendous number of poets and writers. The person whose work I liked the most was Joyce.
Listen, here's the thing about an English degree - if you sat somebody down and asked them to make a list of the writers they admire over the last hundred years, see how many of them got a degree in English.
Let's face it: the 19th century really was the great age of the novel - Melville, Hawthorne, Tolstoy. These are the people I really admire.
I admire Turgenev, Camus, Proust and Shakespeare, but I've also learnt a lot about writing from composers and artists.
I can see why the Russians love Robert Burns, I think that Russians and Koreans have a very similar outlook to Scots.
I admire American literature, both contemporary and classic - 'Moby-Dick' is just about the best book in the world - and I admire British literature for its insistence on dealing with social class. It may have been an influence.
Most of the writers I like just intimidate and humble me but in that there's a good deal of inspiration to be had as well.
they believe in Christ and Longfellow, both dead
I remember when I was a kid, I loved Sherlock Holmes. I thought Arthur Conan Doyle was one of the greatest writers, because I felt I knew Sherlock Holmes. He existed to me. When I went to England the first thing I did was go to Baker Street to look for his house. I think you've got to try to make all of your characters as empathetic and realistic as possible.
I've always loved 'Alice,' and I've always loved Lewis Carroll. I love his kind of tone and his intelligence.
Sweet Swan of Avon! What a sight it were To see thee in our water yet appear.
There are a few writers that one has a relationship with that means, basically, you do whatever they say. One is Caryl Churchill, and the other is David Hare.
'As I Lay Dying,' I reread that often. That's the first work of Faulkner's that I read that so amazed me and that I responded to emotionally and viscerally. I admired it so much, and I think that's why I keep rereading it.
All my big heroes are literary, writers.
In some ways all of my fiction is like a conversation I'm having with the writers I read when I was first falling in love with books.
Angela Carter's fiction blew me away and really instilled a passion for writing, bolstered by Vladimir Nabokov. But in general, I can't point to any one thing. I just always loved books and writing.
When I used to listen to the poets in other languages and the kind of appreciation they received, I wanted to be there on the dais and experience that myself.
She praised his book and he embraced her from gratitude rather than lust, but she didn't let go. Neither did he. She kissed his cheek, his earlobe. For months they'd run their fingers around the hem of their affection without once acknowledging the fabric. The circumference of the world tightened to what their arms encompassed. She sat on the desk, between the columns of read and unread manuscript, and pulled him toward her by his index fingers.
Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.
The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass
There's an epigram tacked to my office bulletin board, pinched from a magazine -- "Wanting to meet an author because you like his work is like wanting to meet a duck because you like pâté.
Cormac McCarthy is my favorite author in the world. I love him so much. There's one book that informs me more than The Road - it's called Suttree. That book is a huge influence on me. I'm not smart enough to emulate him, but he inspires me. He never infiltrates my writing directly. He writes incredibly intelligently about people that are marginalized.
Nabokov, who I loved more than any other writer when I was young, had such contempt for dialogue. When I was younger, I never wrote a word of dialogue because of him. I thought it was a childish part of a novel.
The admiration of another writer’s work is almost in inverse proportion to similarities in style.
I worship F. Scott Fitzgerald and I love his writing.
