Grammar is a piano I play by ear. All I know about grammar is its power.
My first language is French. I just love words so much, and in French it feels like I can say whatever I want however I want.
The English language is nobody's special property. It is the property of the imagination: it is the property of the language itself.
The one thing - apart from assumptions about German - that I have to challenge frequently is people assuming that lexicographers are fierce protectors of the language when in fact our job is not to put a lid on it.
Words bounce. Words, if you let them, will do what they want to do and what they have to do.
To possess another language, Charlemagne tells us, is to possess another soul. German is such a language. Once you have it in your head, you can go there anytime, you can close the door, you have a refuge.
Language is a process of free creation; its laws and principles are fixed, but the manner in which the principles of generation are used is free and infinitely varied. Even the interpretation and use of words involves a process of free creation.
Many words and expressions which only a matter of decades ago were considered so distastefully explicit that, were they merely to be breathed in public, the perpetrator would be shunned, barred from polite society, and in extreme cases shot through the lungs, are now thought to be very healthy and proper, and their use in everyday speech and writing is evidence of a well-adjusted, relaxed and totally un****ed-up personality.
As writers we need to crack open language.
If words are to change their meanings, as assuredly they are, let each user of language make such changes as please himself, put up his own suggestions, and let the best win.
Language, after all, is organic. You can't force words into existence. You can't force new meanings into words. And some words can't or won't or shouldn't be laundered or neutered. Language develops naturally.
Words move, turning over like tumbling clowns; like certain books and like fleas, they possess activity. All men equally have the right to say, 'This word shall bear this meaning,' and see if they can get it across. It is a sporting game, which all can play, only all cannot win.
We were not allowed to say, Screw, but we could say, Hump the hostess, because hump is in Shakespeare.
I don't write in Portuguese. I write myself.
Greek was very much a live language, and a language still unconscious of grammar, not, like ours, dominated by definitions and trained upon dictionaries.
The American language should be descriptive rather than proscriptive.
This notion was very offensive to most English literati.
Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
In this box are all the words I know… Most of them you will never need, some you will use constantly, but with them you may ask all the questions which have never been answered and answer all the questions which have never been asked. All the great books of the past and all the ones yet to come are made with these words. With them there is no obstacle you cannot overcome. All you must learn to do is use them well and in the right places.
There is no reason why we shouldn't be able to split an infinitive, any more than we should forsake instant coffee and air travel because they weren't available to the Romans.
As a linguist, I see the arbitrariness of strictures editors force on me as a writer.
Everyone has a right to pronounce foreign names as he chooses.
I don't feel restricted by the language: I feel more free.
One must not be shy where language is concerned.
The liberation of language is rooted in the liberation of ourselves.
You should never trust a man who has only one way to spell a word.