There's an album by Antonio Carlos Jobim - the album with 'The Girl From Ipanema.' That's the most seductive music ever.
Latin music is universal.
'This Is My Rifle' is a kind of tribute to Al Di Meola.
I did Bronislaw Kaper's tune. He wrote "On Green Dolphin Street." I mean, I did all those ballads, all them ballads from South America. All those tunes - the guitar concerto on Sketches Of Spain. All those are Spanish melodies. Some of them we made up ourselves.
What really swings is the music of the United States, Cuba, the Caribbean and vicinity, and, of course, Brazil. The rest is all waltzes.
Souljazz doesn't reinvent soul, jazz or the fusion thereof, but it plays all of the above with the passion that drove its forefathers.
Anything by Gonzalez Rubalcaba is unbelievable. I've been listening to the best of Django Reinhardt.
Jazz flute's funny. And I'm a big Latin music fan, Tito Puente, Tina Cruz, all that stuff.
I got my first set of drums when I was around 3. I went from band to marching band to Latin jazz band - it's like riding a bike.
Jazz is a big thing with me. It's a very big passion of mine, to play it. I'm an amateur musician and I love everything about it. I was obsessed with jazz when I was 15 years old and I know a lot about it because I've loved it so much.
For me Brazilian music is the perfect mix of melody and rhythm. It just bubbles rhythmically. If I had to pick just one music style to play if would be Brazilian.
I have to say, I have an affinity for Bossanova. It's very warm-sounding to me - lush and simple. I like that.
People hear traditional jazz and think it's stale, where there are so many ways it can be opened up. With New Orleans and old-time grooves, there's no limit in what can be done with that. I want to break the stereotype of what traditional jazz is.
My genre of music is very eclectic. I might play some Latin jazz, or just go into a spontaneous jazz thing. That's the thing about coming to one of my performances. Not every show is the same.
And, he'd seen me in Panama, and he talked about maybe doing something in New York so I hooked it up when I came here and I recorded in 1969 my first album with Pete Rodriguez.
I want people to hear musicians like Joe Cuba. He has done things to whole masses of Puerto Rican people. The music is fantastic and important.
Chick Corea was a great influence on me, musically, as I was growing up.
You can't make jazz without using certain elements of Latin music.
Brazilian music has been a part of almost every record I've done, and I'd eventually like to record an entire album of Brazilian music.
I had been to São Paulo the year before and became pretty well acquainted with the music of composer Antonio Carlos Jobim, I had already started playing that music, and the audience response had been pretty good because those songs are so melodic. I knew it would be something that would be appealing; I wasn't thinking that it would make the top of the pop charts or anything like that.
Latin music has many international influences - pop, rock, country, Brazilian sounds, and alternative styles.
'Buena Vista Social Club' is a great song and a difficult tune to play.
This was during a period when I was producing Brazil '66 records and got infected by Brazilian music.
I love bossa nova. It's the most beautiful genre of music in the world.
My style of singing is very much Latin jazz meets Latin and a little bit of rhythm and blues. When I do ballads, my fans love it. They want to listen to my classics. They want to party.
