Language Experimentation Quotes

Walt Whitman, he who laid end to end words never seen in each other's company before outside of a dictionary.

As writers we need to crack open language.

I always think about myself as a writer; that comes out of being a reader first, and I don't think I kind of got to really playing with language in any formal way probably until I was in my mid-twenties.

It is okay to experiment with language. Writers such as James Joyce, Virginia Woolf experimented with writing, but basically, one must have a familiarity with the language. And to have that, one must respect it.

I am a part of the old school where I feel that purity of the language should be retained. But English is a constantly evolving language where new words are being added to the dictionary, so I don't see any harm in experimenting with the language. Only poor editing standards need to be improved.

Who dreamt and made incarnate gaps in Time & Space through images juxtaposed, and trapped the archangel of the soul between 2 visual images and joined the elemental verbs and set the noun and dash of consciousness together jumping with sensation of Pater Omnipotens Aeterna Deus to recreate the syntax and measure of poor human prose and stand before you speechless and intelligent and shaking with shame

On July 26, 1916, I announced to all my friends in America that from now on I resolved to write no more poems in the classical language, and to begin my experiments in writing poetry in the so-called vulgar tongue of the people.

I write a sentence a thousand times, changing it all the time to look at it in different ways.

I write the story that nobody reads. Someday, I'm going to write it in German to see if anyone notices.

I tried to take seriously the idea that if you tortured language you might arrive at some new truth. Later it became clear to me that I was retreading ground by fighting the literary battles of the 1950s and 1960s, and that I was actually a bit bored by some of the books I professed to love.

So much of what I am doing in my fiction is just trying to get into interesting places in terms of language or form, places that don't bore me. And this happens via hundreds of quick micro-decisions that are done "to taste," so to speak. So the experience is one of groping toward that interesting place - trying to leap away from anything that seems boring, or about which I don't have strong opinions. Essentially trying to avoid that moment where, devoid of any strong feeling, I start conceptualizing.

Many children make up, or begin to make up, imaginary languages. I have been at it since I could write.

There's no bad writing; you did something. I was operating inside language, and I did something. I'm not ashamed of it.

I love dabbling in various genres and languages.

With American Gods I was trying very, very consciously - there was a level at which it was a little like trying to write a novel in French - you know, "this novel is to be written in American."

It was less a literary thing than a linguistic, philosophical preoccupation... discovering how far you can go with language to create immediate, elementary experience.

There are some beautiful books out there. But the ones that leave me cold are the ones where I feel - it's that postmodern thing - it's more experimentation with language than it is a deep compassionate falling into another human being's experience.