I can actually feel the interior body of a dancer. I have the ability to capture a split second... I want you to be hit with whatever the essence is of this sculpture.
Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.
Jazz will endure just as long people hear it through their feet instead of their brains.
I'm more of a feel pitcher. If something's wrong, I don't watch a video. I go throw in the bull pen until it feels right.
On the one hand, there are individual actions such as throwing, pushing, touching, rubbing. It is these individual actions that give rise most of the time to abstraction from objects.
Time plays an important role. My physical body is taking shape in space, and I see that my ideas about how we influence space with our movement is really 'matter of fact.'
I'm a very physical person. I'm very tactile. I wrestled in college, so a lot of my communication with the world comes through physicality - what I take in and what I put out there.
