My work is very bodily. It's not a shell, but a body.
My body was so instrumental to how I took pictures: it was practically a dance. I used to use my legs a lot; now I'm a little more sedentary.
Emotion is created by motion.
I like manual things, doing things with my hands, the feeling of touching.
External images act on me, transmit movement to me, and I return movement: how could images be in my consciousness since I am myself image, that is, movement?
I don't think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.
Music has just as much to do with movement and body as it does soul and intellect.
I tend to be a pretty physical person.
Architecture is a wrapping for the human body, and dance is the finest expression of the body.
I literally can't talk without moving hands.
