Journalism Experience Quotes

It had run as a column - I had worked at the paper since 1976, but the column had been running for 13 years, and I think it was a strong column, criticizing the war when the paper was supporting it.

I had an idea in the beginning to do a book about some of the events that I had covered, just various stories that I've covered. Reporters spend a lot of time telling each other tales about how they covered stories, and that's what this book started out to be.

This much we know: Journalism is not a precise science. It's, on its best day, is a crude art. We make mistakes; I make mistakes. With more than 50 years as a journalist, I have at least had the opportunity to blow more stories, make more mistakes than maybe anybody in television.

I worked for a newspaper in Europe for, I lived in Europe for about seven years, so I worked in this sort of a yellow journalism kind of a thing, it was like a scandal sheet.

To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.

But even writing the column for the 'Telegraph,' that idea of working to deadlines, which as an actor that's not something you have to do in the same way. It's excited me into wanting to do a bit more.

I wrote newspaper articles professionally for seven years, and I love newspapers.

My stint as general manager of MSNBC made me particularly sensitive to how the big stories are covered.

William Shawn was the editor of The New Yorker and for whom I worked for, God, 27 years; a man I respected enormously because of what he did, - what the magazine was about.

While I had been, I guess, quite brilliant, academically, in my college years, I also had been editor of the paper, and I loved that. And, that was a much more active thing. And I missed it when I was doing graduate work.

For 30 years I wrote for newspapers and magazines, wrote books on the Dallas Cowboys' dynasties of the '70s and '90s, wrote about Michael Jordan in Chicago and Barry Bonds in the Bay Area, even wrote columns for ESPN.com from 2004 to 2006.

I write a column for The Village Voice, which I've done since time immemorial, and occasionally - and books. And I occasionally write minor notes for record albums and occasional articles.

And on election night I'd go down to city hall in El Paso, Texas and cover the election. In those days, of course, we didn't have exit polls. You didn't know who had won the election until they actually counted the votes. I thought that was exciting too.

I was working in the same building as U.S. News & World Report, and I banged on the door and said, "I'm ready to go." And they said, "What's your combat experience?" I said, "Does my parents' divorce count? It was pretty rough." Then they said, "What's your reporting experience?" And I said, "I covered the women's volleyball team in college exceptionally well." The guy was like, "You are so not ready to be a war correspondent."

Having been a journalist for almost 20 years and then becoming a politician has definitely been an interesting and enriching experience for me.

Even after working at 'MarketWatch' and loving journalism and loving business news, I still wanted to be a lawyer because it was my plan.

I had been a foreign correspondent in Japan for the 'Wall Street Journal' when my editor there became Washington bureau chief - this was 2007 - and he said, 'How would you like to go to Iowa and cover Hillary Clinton?' I was 28. I went to Iowa.

I loved covering presidential politics - not so much because of the candidates but because of the people it allowed me to talk to.

I worked at my high school newspaper at Andover, which came out weekly, unusual for a high school paper. Then my first day at Penn I went right to the 'Daily Pennsylvanian' and pretty much spent most of my college career working both as the sports editor and then editor of the editorial page.

The Chicago City News Bureau was a tripwire for all the newspapers in town when I was there, and there were five papers, I think. We were out all the time around the clock and every time we came across a really juicy murder or scandal or whatever, they'd send the big time reporters and photographers, otherwise they'd run our stories. So that's what I was doing, and I was going to university at the same time.

I don't listen to anything when I'm writing. I need total quiet, which is astounding, given that I spent years working for a newspaper and having to write features surrounded by ringing phones and people shouting.

I worked on 'USA Today' as a topic for while. I tried to do something on hand chairs, chairs that look like hands. I really tried. But some topics are not truly universal.

I do know something about the news world. I was sitting on the floors of newsrooms since I was seven years old, and I've been around them my whole life. I understand that someone looks at a story with famous people in it, and you want to put it out.

I produced some very good work at 'New York' magazine.

In my first year or so at the 'Post,' I began to write with some frequency on the least important issues - so-called light editorials. The titles themselves are revealing of just how light: 'On Being a Horse,' 'Brains and Beauty,' 'Mixed Drinks,' 'Lou Gehrig,' and 'Spotted Fever.'