The theater itself is a lie. Its deaths are mere special effects. Its tales never happened. Even the histories are distorted for dramatic effect. The theater is unnatural, a place of imagination. But the theater tells the audience something true: that the world requires judgments.
What they will do is, you know the tabloids. They'll take one element of a story that may be true and they'll build everything around it. Take a picture and invent a story around it.
It is all fiction, only autobiographical in the sense it is about a small town. None of the incidents in the book ever happened to me as a child. I didn't have an eventful childhood.
But human beings fall easily into despair, and from the very beginning we invented stories that enabled us to place our lives in a larger setting, that revealed an underlying pattern, and gave us a sense that, against all the depressing and chaotic evidence to the contrary, life had meaning and value.
When I was younger, I wasn't really sure what I wanted to do, but I told a lot of lies in school. I told my friends once that I was playing John Travolta's daughter in a movie. I also told people that I had this romantic affair with Jonathan Taylor Thomas over a summer.
Very often, I confess, the teller of dreams bores me. His dream could perhaps interest me if it were frankly worked on. But to hear a glorious tale of his insanity! I have not yet clarified, psychoanalytically, this boredom during the recital of other people's dreams. Perhaps I have retained the stiffness of a rationalist. I do not follow the tale of justified incoherence docilely. I always suspect that part of the stupidities being recounted are invented.
Slash and I hadn't talked in 19 years, and when we did talk, I was like, 'You wrote a lot of stuff that didn't even happen. It's not real.'
I cannot appreciate anybody who creates controversy over things which do not exist. I can tolerate controversy over things which truly happened, but not over inexistent things.
We all have a tendency to over generalize our individual experiences. After I've published something, I'll meet someone who says, "I'm Haitian, and I don't know this, so it must not be true." Even if we're talking about a work of fiction. I've gotten very angry myself reading many things about Haiti. We're not a monolithic group; no group is. Also, it's important to keep in mind the genre in which we are writing. Fiction is full of invented stories about exceptional people in exceptional situations. Those situations are not always cheery or celebratory.
A narcissist like Trump must constantly inflate and exaggerate in order to keep the supply trains running. He has to brag about how, 'I have a very high IQ' or concoct stories about people agreeing with him.
Fiction lags after truth.
For a similar and more popular version of this saying, see {596219}
Dishonesty is Trump's hallmark: He claimed that he had spoken clearly and boldly against going into Iraq. Wrong. He spoke in favor of invading Iraq. He said he saw thousands of Muslims in New Jersey celebrating 9/11. Wrong. He saw no such thing. He imagined it.
I know some of my memories are made up and they are far more powerful than the things that actually happened. For example, I always remember my brother posting me a copy of 'Dubliners' from Africa, but he says he never did.
Creating fake facts does require a measure of haphazard research, insofar as they need to not just be possible, but also interesting.
The tabloids create their own stories about people's lives that don't exist.
Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.