Intuitive Process Quotes

I just hear a beat and start mumbling words. I just hear sounds and rhythms, and it just kind of comes intuitively. Formatting a song, figuring out a flow, how I respond to the beat.

I just let the emotion dictate what the arrangement is.

Everything Dre and I do is completely on feel. We don't prepare for anything... we only work on instinct.

I don't think about art when I'm working. I try to think about life.

What I feel is that the picture-taking process, anyway a greater part of it, is an intuitive thing. You can't go out and logically plan a picture, but when you come back, reason then takes over and verifies or rejects whatever you've done. So that's why I say that reason and intuition are not in conflict-they strengthen each other.

I don't write with a scheme or a plan. I write word to word, so whatever that first sentence is, having said that, one more or less had to say what comes next and next and next. Guilty of no cogitation or forethought.

When it's time to make music, that's about getting lost for me. To be a control freak is not half as good as being a freak who's casually in control. You're feeling around in the dark for something that feels good.

Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.

I think art, at its best, happens on a conscious and a subconscious level.

If I'm not invested emotionally, the artwork doesn't feel emotional.

I just do what sounds good to me, and people seem to like it.

I've never had to search for themes. My films just come naturally out of my interest.

All directors are different. Certainly, the directors that I respond to the most are guys that figure it out by doing it, not by thinking or studying. Also, the kind of actor that I think I am - I learned about theater doing theater, not studying theater. I think that traditional school can be great, but also it can stifle original thought.

I am very instinctive when it comes to a script.

It feels like when I write, it's intuitive. This is true of Frances, and it's true of this [The Funniest Movie Of The Summer].

My process of being inspired is very intuitive. Im constantly following my interest.

I actually prefer it if I don't know what I'm supposed to do. If you've got an equal temperament piano keyboard, then you know what you're going to get if you play certain chords. But I actually like it if you don't know where the notes are, because then you do it intuitively. You're working out a new language, basically. New rules.

I let the song come to me. Then that thing comes to you, and you just know what that thing is. Music isn't like a 9-to-5 job. You never know. It's just the most unpredictable thing.

I'd have these weird experiences where I'd just be walking down the street with this chord progression in my head, this happened more than a few times, and I'd walk home and find a fax in my machine and it would match the music in my head.

Directing is mystifying. It's a long, long, skid on an icy road, and you do the best you can trying to stay on the road... If you're still here when you come out of the spin, it's a relief. But you've got to have the terror if you're going to do anything worthwhile.

My approach to painting doesn't involve any heavy thinking about how am I going to present this, what am I going to do.

It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.

I'm just trying to make my favorite music. That's how I work; I just do things based on the way they feel to me. I want to be touched by the music I'm making. Luckily, other people have shared that response to my work over the years.

I still maintain the fact that when I write songs, I don't know what I'm doing. I don't think about it pragmatically. I say what's in my brain, and sometimes it's great, and sometimes it's terrible.

When I put my brush to canvas, I never know what I'm going to paint. It's like when you're walking down the street with your hands in your pockets, humming a tune, you don't know what you'll be humming five minutes from now.