I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
I use Twitter a lot. That's how I communicate with international fans. Everyone's always really, really nice.
There's a lot of American people who like K-Pop for some reason. I don't know why, you know? But they like it even if they can't understand it because it has that style, that appeal.
I've got lots of weird illustrations of me from Japanese fans.
When I meet fans who relate to Korean films and dramas even though they don't understand the language or the culture, and when they talk about studying Korean and traveling to Korea because of those films and dramas, I think to myself that this is the true force of the Hallyu wave.
Fans in China are very different from those overseas. In China, many people really love me and care about my life. But there is always some jealousy mixed up in this feeling of love. I think that is the big difference. Overseas, there is none of that.
I do remember one of the first great experiences of going to Europe was playing in Rome hearing the people sing our music so loud. It was louder than the music we were playing.
I am always in love with Milan. The relationship with the team, with the club, and with these fans is beautiful. It's weird for a Brazilian to have a relationship like that with an Italian club.
Maybe one day, I will go to Pakistan and meet these fans who like me and my work. At the end of the day, we are all the same, and meeting my fans there is something that I have on my mind.
Vegas, when we go on tour, is one of the hottest spots for not only people in the United States, but international fans.
I am focusing more on overseas gigs, as my international fans do not get a chance to be a part of my live concerts, as they visit India once in a blue moon.
I have hundreds and hundreds of people from Brazil, Chile, Columbia and Argentina, every day, buying my music and telling me about it online.
I am very proud to be the first Chilean player ever to play for United's first team, and I hope I can show our fans all around the world why the club wanted to bring me here.
I've had fans coming up to me and speaking Chinese or Japanese. It's not a case of mistaken nationality. I just don't think they realise that we don't all speak the same language.
Our Japanese fans don't speak English primary. They'll translate a sentence before coming and say something like, 'Thank you for coming to our country.' It's like, you're welcome. Thanks for coming to our show!
I believe the enthusiasm to BABYMETAL is universal.
I feel I represent my country: not only my country but all former U.S.S.R. countries because I have very big fan base here, and I have more than a billion Muslim fans. I feel I represent these guys all around the world. My fans. This gives me very good energy. When I go to the cage, I think about these people.
The craziest part of being on tour is being overseas and having crazed fans so far away from home. They don't speak English, but they still know the lyrics. That's a trip.
Anywhere in the world I have travelled to, people would tell me 'Yeh Vaada Raha' is one of their favourite songs. People would even convey the same on Insta and Twitter.
I remember our Twicelights world tour. We were being called 'Global Twice.' It was very cool to have a few shows in the U.S. and meet the fans.
American audiences are great. They get what I am doing, but as my band will tell you, nowhere tops the Irish audience. They are just brilliant. They are very open, but the Americans and Spanish come a close second.
Thanks to many great K-pop singers, the groundwork has been laid for more Korean songs to be readily accessible to an overseas audience via channels like YouTube.
I have fans across the globe.
South America was amazing, very powerful. We didn't imagine they like K-pop there and they loved it!
In Vietnam, we can go and get big audiences, and we've been going there for so long. A lot of other hip-hop groups don't even go.