Inspiration Moment Quotes

Often it is a moment rather than an event that makes a poem.

Sometimes a serendipitous reaction occurs when a network asks you if you have any ideas for a series, at a time when your creative flow is working in that direction.

When I saw Paul Scofield do 'Love's Labor's Lost at Stratford,' that's when I saw the potential of the level of truth that could go on up there on a stage. I said, 'This is what I want to do.'

For me, when I 'discover' a story, there is a feeling of buoyancy and clarity, perhaps similar to early morning out on a prairie highway, when darkness lifts and reveals the outline of farmhouses and copses of trees in the distance.

When I was nine, I was passing by a drum class and saw them playing and I was moved. That's why I started making music.

All of a sudden, those few pages of script that he had shown me with the weird images I could visualize all of that in my brain, and I knew that there was this mad little genius at work here and I really wanted to do the film.

To me, every episode is like a song, and every season is like an album. There's that part of the day when you first get the idea and you say, "This could be really funny." And you sit down and you write it. There's just something that happens there that doesn't happen when you really give it a lot of time beforehand.

I see a young man playing 'Plaisir d'Amour' on guitar. I knew I didn't want to go to college; I was already playing a ukulele, and after I saw that, I was hooked. All I wanted to do was play guitar and sing.

Those golden minutes before you are completely awake, when your mind is just drifting, you have no censorship; you are ready to develop any kind of idea. That's when I come up with the best and worst ideas. That is the privilege of being a writer - that you can stay in bed for an hour in the morning and it's work time.

I guess the most emotional part is when I have that moment when I end up writing something that I really, really love. So not only is there the emotional connection with the music that's being created, but there's also the magic of the fact that you're essentially creating something from nothing.

One day I was in the grocery store, and I saw raspberries, and I was like, 'Oh, I can make a lip stain out of that.'

To love something as an artist ... means to be shaken not by its ultimate value or lack of value, but by a side of it that suddenly opens up. Where art has value it shows things that few have seen. It's conquering, not pacifying.

Having been familiar with "drunk" once or twice myself, that lick just came to me - and yeah, it sounded very drunk, so I presented it to Alice [Cooper]. It felt like he wrote the lyrics in about a minute.

I came on the old and best ways of writing through ignorance and experiment and was startled when truths leaped out of brushes like quail before gunshot.

An aptitude test established architecture as an alternative [career]. But what decided the matter for [Teddy Cruz] was the sight of a fourth-year architecture student sitting at his desk at a window, drawing and nursing a cup of coffee as rain fell outside. 'I don't know, I just liked the idea of having this relationship to the paper and the adventure of imagining the spaces. That was the first image that captured me.

Listening to 'Raising Sand' was one of those turning points in my life that really made something click in my brain.

I first realized I wanted to model when my mum and I were at a local carnival, and she took me to a fashion show. I had never been to one before, and when I saw the girls on the catwalk, I fell in love with them.

Great imaginations are apt to work from hints and suggestions, and a single moment of emotion is sometimes sufficient to create a masterpiece.

The creative process obtains in all creative acts. So if I'm painting suddenly I'll see something that I didn't see before.

I let the song come to me. Then that thing comes to you, and you just know what that thing is. Music isn't like a 9-to-5 job. You never know. It's just the most unpredictable thing.

To the artist is sometimes granted a sudden, transient insight which serves in this matter for experience. A flash, and where previously the brain held a dead fact, the soul grasps a living truth! At moments we are all artists.

What I'm looking for in my career, you know? You're looking for those lightning bolts of inspiration where someone says something that sparks an idea or suggests something strange.

Philosophy, for Plato, is a kind of vision, the 'vision of truth'...Everyone who has done any kind of creative work has experienced, in a greater or less degree, the state of mind in which, after long labour, truth or beauty appears, or seems to appear, in a sudden glory - it may only be about some small matter, or it may be about the universe. I think that most of the best creative work, in art, in science, in literature, and in philosophy, has been a result of just such a moment.

When I found film, it was like, 'Of course!' It was this very intense realization that this is perhaps the most powerful, honed context that I've found.

When I have a breakthrough in music and I hear the melody in my hands: that's when I get compelled - something in my gut just has to rise up and sing and put something to that.