Industry Dissatisfaction Quotes

Across the board, women are unhappy with our industry.

I don't care if I ever work in TV again.

After 'Four Feathers,' I quit then because I just lost faith. I didn't like how the business was.

My grief is that the publishing world, the book writing world is an extraordinary shoddy, dirty, dingy world.

I suppose I have stopped modeling officially. I've not done any for a good long while now. I think it was four years ago when my feelings were changing towards the industry. I didn't hate it, but I was yearning to do something different. I was on a gradient. It was a gradual thing.

I have always abhorred the business end of music.

Before I became an actor, I was a producer and a visual effects supervisor. Our industry wasn't making the kind of films I was interested in.

I dropped the script in the fireplace, called my agent and said, they can jail me, sue me, but I'm never acting again, unless I can do something worthwhile.

What am I doing in this silly showbiz life? I do wonder that sometimes.

I am tired of being in an industry that doesn't appreciate me.

Actors always have things that they're not thrilled about on a show and have a hobby of bellyaching about those things.

It's rare in Hollywood to get the chance to work on something that you actually care about. The tragedy of the place is all these talented people trying to get excited about stuff they themselves would only view at gunpoint.

There might come a point where I don't want to be in this industry at all.

One reason I was so convinced that Redfin would work was that I never met anyone who bought or sold a home who thought the process was ideal.

I would loathe to work on modern films.

'Konnichiwa' was made because I don't like the industry. I really had to remove myself from it to understand myself.

I left advertising as fast as I could in 1961. And I haven't ever thought about going back.

I just don't like it when people get credited for their voice work and it's really shitty. It's really thin, there's nothing to it, there's no meat behind it. It's, like, "Oh, it's a celebrity."

I created 'The Guild' because nobody was offering me the roles I thought I could do best at in Hollywood.

I'm sure in a lot of publishing houses that there is a frustration that people feel, that they're not in control, that they are puppets and the corporate bosses are manipulating the strings.

I was telling my manager that I wanted to quit the industry because the synopsis I was receiving from filmmakers all felt like a lie. Yes, they were heroine-centric... but the concepts were simple. Like a rape victim, her struggling against the odds and gaining revenge, or a wife who supports her husband endlessly, or a sacrificial mother.