The tubular steel chair is surely rational from technical and constructive points of view. It is light, suitable for mass production, and so on. But steel and chromium surfaces are not satisfactory from the human point of view.
I wouldn't say design has become strictly functional. A lot of cars these days look downright comic book to me, and the info-gadgets with which late industrial people spend the most time - phones, music players, etc. - are blobjects.
Britain's great strength is its innovative, design and engineering natural ability and we're not using it.
We had the hardware expertise, the industrial design expertise and the software expertise, including iTunes. One of the biggest insights we have was that we decided not to try to manage your music library on the iPod, but to manage it in iTunes. Other companies tried to do everything on the device itself and made it so complicated that it was useless.
Willem de Kooning as an artist is insane, Sonia Rykiel is amazing for her colour sensibility, and Ettore Sottsass was an architect and product designer who sometimes created clothes to go with his other designs.
There are professions more harmful than industrial design, but only a few.
Art Nouveau got its inspiration from nature. The Bauhaus got its inspiration from engineering.
My father was a die maker for 39 years, so I had a basic understanding of the automobile industry and what the manufacturing world was like, just from the opportunity to spend time with him - just talking, because he was a car buff.
A country without a patent office and good patent laws was just a crab and couldn't travel anyway but sideways and backwards.
Samuel Langhorne Clemens, 1835-1910
I love well-designed products that combine form and functionality.
Well, I'm rather attracted to rather prosaic things like vacuum cleaners and hand dryers. Where people haven't apparently made them with a great love for what they're doing.
I majored in industrial design/painting, but haven't had time to exercise that creativity.
I am not a politician. I am an engineer who has spent most of his career working in factories that manufacture the world's most advanced devices.
I like stuff designed by dead people. The old designers. They always got it right because they didn't have to grow up with computers. All of the people that made the spoon and the dishes and the vacuum cleaner didn't have microprocessors and stuff. You could do a good design back then.
Over the past 20 years, I have noticed that the most flexible, dynamic, inquisitive minds among my students have been industrial design majors. Industrial designers are bracingly free of ideology and cant. The industrial designer is trained to be a clear-eyed observer of the commercial world - which, like it or not, is modern reality.
I grew up in a modernist house, in a modernist culture. There was a love for modernism everywhere - the furniture, the books, the food, even the cutlery. So I learned very early to appreciate the value of design and the value of architecture.
I don't particularly follow the Bauhaus school of design, where you make everything into a black box - simplify it.
I truly believe that we're about to enter a second golden age of design. The first one was in the '50s and '60s, when designers like Raymond Loewy, Charles Eames, George Nelson and Dieter Rams were shepherds of the brands they were working with. They had influence over the products and how companies communicated and promoted themselves.
Probably the TV show I've watched the most is 'How It's Made' on the History Channel. I could watch 24 hours of 'How It's Made' and never get bored.
I ended up going to do a matches program at the state for industrial design. And from there, I got hired at IDEO to joint their design team there - and basically, you are starting as an industrial designer to design products - and then kept asking the question, 'What else can design accomplish? What else can design do?'
I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
Apple's Industrial Design team is harder to get into than the Illuminati, and part of the reason is because no one leaves. In the last 15 years, not one of the 18 designers has ditched Apple for greener pastures.
When I was 18, I began attending college for art and design, and I designed all sorts of things from furniture to industrial designs and even watches.
I think, aesthetically, car design is so interesting - the dashboards, the steering wheels, and the beauty of the mechanics. I don't know how any of it works, I don't want to know, but it's inspirational.
Design is a career where you learn creative decision making.
