Humor and Pathos Quotes

I want to have not only the good side of life but the bad side of life. And the both combined is just my music. It's funny at the same time as it's sad.

What I strive to do is to make the theater experience something that people remember and recall rather than dismiss because it was less like their everyday experiences. So, I'm less interested in internal emotionalism and much more in making the audience laugh and cry by the devices that we use as theater actors.

I like to be able to feel as many parts of myself while watching a movie at one time. I think that's what 'Super' is - it's funny, but it's also sad. It's very touching in certain ways, and it's also got a very dark sense of humor. So it's allowed to go anywhere.

Right now, I'd like to just continue on a series where I am doing good work with a balance of comedy and drama. That and do occasional features and movies.

From Kelsey, I have learned among many other things the value of turning on a dime and how you can have an extremely funny and extremely poignant moment with absolutely no separation in between... and sometimes in the same moment.

The problem is that I work in more than one genre. It's impossible for me to aim for a single one because, for me, comedy is mixed with tragedy. That's very Spanish, the way in which comedy and tragedy are inextricable from each other.

I think it would be exhausting and depressing, to write, to watch and to live, if it was just focused on drama. It's heavy. Also, I think the humor really highlights the pathos and the struggle. You can slam it up against drama, and it makes both shine.

Since it's based on my parents, it's more emotionally close to me than some of my more surreal plays. And then I like the balance of the comic and the sad. It should play as funny, but you should care about the characters and feel sad for them.

I'm quite an odd little part of the Venn diagram. I'm not a movie star and beautiful in that way. I do an odd thing that's funny and sad, and my face and my old body can take that.

Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.

In college, I learned that my favorite parts were the sad clown parts. Those are the ones I love because you get to do everything. You get to be funny, make them laugh one minute, and make them cry the next minute.

Combining music, theater and comedy is a new and broader form of expression. In certain combinations you can make people laugh one moment, cry the next, and then be astounded by the beauty of the music.

Our everyday lives exist with comedy and tragedy next to each other.

I was very moved by shows that combined things that were funny and sad. I remember liking 'Simpsons' episodes in which emotions were central.

My favorite moments are the moments everyone cries over. I see people in the audience crying, and I go, 'I did that, too. I don't just do the jokes. I also do the cries.' Jokes and cries, jokes and cries. That's all I'm here for, people.

I think for any artist, your voice is always evolving. For me, the constant is finding a tension or balance between drama and comedy.