The only way to honor Steve and his legacy and everything he lived for was to try to continue his work and expand on it.
I've just built a studio in my mama's old bedroom, which I thought was fitting; she died last year. We've recorded nine songs recorded in there already; we're sort of just chipping away.
One of the reasons I do the Led-Zeppelin Experience is because I really didn't get the chance, while he was alive, to understand how great my father was. I never got the chance to tell him.
You celebrate a person's life by living your life fully.
I think people are understanding that I'm immensely proud of my father. If people talk to me about him, I'll certainly respond. And there's a certain generation that still talks about him right off. And I take that with gratefulness and with gratitude.
I don't know if it's harder but when you're playing a real person you want to honor their memory - even if they're a criminal or someone that the public loathed. That can be challenging.
Though just biographical record will touch the failings of the good and the eminent with tenderness.
I don't want to be remembered. I want the nice words when I can hear them.
I'm trying to carry on my dad's legacy, and it is tough.
