Hollywood Tropes Quotes

Maybe because All About Steve is about offbeat people, viewers don't want them to be heroes. There is something archetypal in us that we like a leading lady, we like a leading man, and we like people with my features to get killed. Maybe that's why the reviews were so severe - because good Lord, I've seen much worse films!

I think that, for whatever reason, we've gotten to a place where, particularly in Hollywood, things have to be very pat. Like 'I'm a good guy. I'm a bad guy.'

Every single person in the Chicago independent scene said, 'You've got to be a bad guy. You're a Muslim. We're gonna make money. We're gonna call you Sheik Abdullah something. You're gonna wear a turban.'

First, you have stereotypes, and that will be the black drug dealer, the east Asian kung fu master, the Middle Eastern terrorist in 'True Lies.' Then you have stuff that takes place on culturally specific terrain, that engages with it, but actually subverts assumptions. 'Smashes' stereotypes. That's where I've come into the game.

There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.

I have a real pet peeve for women who play damaged characters but don't look damaged.

Disaster movies do us the psychological service of forcing a quick march through the worst that could happen. At the end we see that you win a few, you lose a few, some cars are up in trees, and only the most attractive of the young people have survived.

Indigenous people in films, it's all, like, nose flutes and panpipes and, you know, people talking to ghosts... which I hate.

It's an ongoing joke that a black man is always the first one to get killed in movies.

What I try to do is reinvigorate strategies and clichés I find in Hollywood movies. At a certain point I had these huge folders, each one classified according to subject matter or genre: people with guns, people kissing, Indians and cowboys falling off horses, getting shot, getting shot with arrows - almost every plot device. Then I cropped the cheap, recycled imagery to give exhausted images new meaning, or at least something other than their original meaning. I'm basically reassembling atoms to give them a meaning that's more au courant.

Often, I'll read a script and the female character's an extension or serves some sort of purpose in terms of the male character's narrative and it just isn't fully formed. But they will be very beautiful. Whether a secretary or a doctor or a vet, they will be very beautiful.

In a lot of comedies, they kind of take all the problems away from the women. They give her great clothes, great hair; she almost always owns an artisanal shop, like a cheese shop in Manhattan.

I'm getting a lot of uninteresting romantic lead guys that look good and fall in love sort of garbage.

Now, I love movies so much, but I find a lot of movies to be arrogant in the way they're kind of know-it-alls - they have perfect characters on the screen that know everything about themselves.

Young action heroines feel in service of male gaze, rather than being the full complexity of a human being.

In movies, we've run out of ideas for bad guys. We end up with politically incorrect villains, like Arab terrorists or Latin drug dealers or corrupt politicians. Well, aliens are the best film villains since the Nazis. You don't have to worry about offending anyone.

I know I can handle dramatic roles, but I don't think I should have to play a young mother on crack to prove it.

Let's be clear: all professions look bad in the movies. And there's a good reason for this. Movies don't portray career paths, they conscript interesting lifestyles to serve a plot. So lawyers are all unscrupulous and doctors are all uncaring. Psychiatrists are all crazy, and politicians are all corrupt. All cops are psychopaths, and all businessmen are crooks. Even moviemakers come off badly: directors are megalomaniacs, actors are spoiled brats. Since all occupations are portrayed negatively, why expect scientists to be treated differently?

But the thing about bad guys is that they have the biggest bosomed blond, they have great clothes and cars, and get great death scenes.

I've done movies for certain reasons; I did 'Anaconda' because the black man lives. Simple. The black man isn't dead in the first three pages, like Jurassic Park. It's like, 'The black man kills the snake with a Latino girl? Damn! I got to do this.'