How to save the old that's worth saving, whether in landscape, houses, manners, institutions, or human types, is one of our greatest problems, and the one that we bother least about.
With the destruction of history, contemporary events themselves retreat into a remote and fabulous realm of unverifiable stories, uncheckable statistics, unlikely explanations and untenable reasoning.
Our duty is to preserve what the past has had to say for itself, and to say for ourselves what shall be true for the future.
In Brazil, there is a fear and a denial of our past. Downtown Rio used to display the history of colonialism in Brazil. They had beautiful buildings and theaters, and there was a bakery that was threatened to be demolished, but people insisted against it. They laid down in front of it and said, "You're going to have to go over my body to destroy it." It frustrates me when I see people on Facebook posing in front of old buildings while on vacation, because they could've posed in front of equally beautiful buildings at home in Rio.
In the case of European towns, the passing of centuries provides an enhancement; in the case of American towns, the passing of years brings degeneration. It is not simply that they have been newly built; they were built so as to be renewable as quickly as they were put up, that is, badly.
After independence was gained, one of the first Acts passed by the Greek government was for the protection and preservation of national monuments.
When we have a disaster in Japan, I wonder, how can we prevent our lives and traditions and history from the disaster?
We strain to listen to the ghosts and echoes of our inexpressibly wise past, and we have an obligation to maintain these places, to provide these sanctuaries, so that people may be in the presence of forces larger than those of the moment.
One great feature of modern society is the institutionalized respect we give to processes designed to destroy the past.
History will die if not irritated. The only service I can do to my profession is to serve as a flea.
The reason I put so much energy into it at the beginning was that while there were plenty of people looking after the talkies, almost nobody was doing the same for the silents. Now there are plenty of very good historians and restorers.
We Earth Men have a talent for ruining big, beautiful things. The only reason we didn't set up hot-dog stands in the midst of the Egyptian temple of Karnak is because it was out of the way and served no large commercial purpose.
