Hip Hop Scene Quotes

When Nicki was putting out mixtapes, she was the only female rapper that had any kind of buzz. And not to mention that she was on the track with the guys, you know? So you had the girls playing it, and you had the hood guys playing it, too, so you couldn't run away from Nicki.

Detroit is right now a new Mecca for Hip Hop.

Washington D.C. and the entire DMV area are very dope places because they're such musically-inclined areas.

The thing about the state of hip-hop is that people are too concerned. I don't think that there's a problem with being too concerned about videogames, especially for me, because I'm not in the industry. I'm just a consumer. But hip-hop is constantly like, "What are you doing for the scene?"

When I decided to collaborate with people, I wanted to collaborate more with the underdogs, the street people, messing with the people like Jae Millz and Papoose. When I went to New York, they were all over the mixtapes, so I wanted to get down with those guys instead of trying to go safe with all the super-big names.

I was trying to be the best rapper in the world. I wasn't thinking about acting.

I secured Big Jam through my buzz in the city. My name got bigger and bigger throughout my 1st year of rapping.

I come from an era where you just build something. Me and Common built what we built from Chicago from scratch.

The big change was reggae and hip-hop, which came along after Split Enz had started. When Bob Marley first visited New Zealand, he lit a fuse that is still burning very brightly. The Maori people particularly honor reggae music in a very big way. So there is a strong reggae scene and a strong hip-hop scene, especially among Samoans. There's still plenty of quirky stuff around. No one expects to make much money here, so it definitely does encourage an underground sense.

When I first came in the game, I had a bunch of homies that rapped that was hanging around me just because I was getting the rap attention, and they felt they could feed off of that.

Real hip-hop is Migos, Future.

With Prisoner of Conscience, the focus was - I've worked with Madlib, High Tech, Kanye West, J Dilla. I feel like I've worked with some of the greatest of all time. That's been overlooked. That's been overshadowed by the weight of the lyrics.

I don't know how much I'm connected to the hip-hop scene, but I definitely lend from that urgency.

Everybody nowadays rhymes, but out of the people that really, really do it well, it's still a small community of artists. We all tend to be in the same circles - people like my Wu-Tang brothers, or Black Thought from The Roots.

Man, I feel like hip-hop is - first of all, not even only with just GOOD Music, I gotta say - I think hip-hop is still alive in a strong way, man. I feel really enthused about hip-hop.

I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.

A lot that was happening in 2005, 2006, good and bad, the beats reflected it. It was a lot of money around. People was making music to throw money to.

A lot of rappers were influenced off the West Coast, even from the East.

I don't think a lot of people have been privy to understanding that there's this talent in hip-hop all over the earth that's just as good. It's just that everything out of the U.S. proclaims to be the best, especially L.A. and New York, being that they're the nerve centers and media capitals of the most predominantly media-emitting country in the world.

I've always felt that because I'm from Cleveland, which isn't recognised as a place for hip-hop, I needed to step it up if I wanted to make myself known.

It's only five rappers out of Atlanta who bussin and I'm one of 'em; the other four you know who you are; but if you gotta think twice (well) shawty ya ain't nice; regardless of ya publishin' deal ya can't write

There are certain artists that get into the little circle in hip-hop, and everybody is talking about them, and they are buzzing. But they can't go out and sell out tours, perform in front of 3,000 people a night, and things like that. We did things backwards; with Visionary, we got all the fans first.

'Strong Island' is slang for Long Island, New York. And it really grew out of - what may surprise people, it really grew out of the very vibrant hip-hop scene that, you know, is located and still generates artists out of Long Island.

We didn't move to L.A. to move to L.A. We moved to make music with Muggs.

I feel like artists like Three 6 Mafia and 8 Ball and MJG reached a point in their careers where they were hot and underground.