I've done a lot of very low-budget indie films, so it was just really exciting and fun to be doing a film where there's a lot more time and these huge, vast sets. I was like a kid in a playground. It was amazing!
My audience loves seeing me pump large amounts of money into action and sets. And it works. I'm not saying that films made within a budget are wrong. But when audiences come to see my film with their families, I guess they are spending at least 10 per cent of their monthly income. I don't want to cheat them.
With Jerry Bruckheimer, you know you'll get your money's worth. You're getting huge action sequences, it's going to be funny, and you know it's going to look great.
I'd like to guest star on 'Game of Thrones.' I love period pieces and dark material. I think the show has a good balance of that and some solid characters.
I try to take B genre movies and treat them as if they're A dramas. Get the cinematographers, get the actors to do an A drama, but it just happens to be about aliens or ghosts or crazy people, or killers, or whatever it is.
In terms of how [Allied] looks, it's fantastic and much better than I had hoped because it's so lush and so beautifully executed.
'Dasavatharam' is science fiction, a multi-crore budgeted film worth Rs 50 to 60 crore and ahead of its time.
I've never done a big series like 'Game of Thrones' before. All I knew was that it was HBO, and I'd seen what they had done with 'The Sopranos' and 'The Wire.' But when I started reading the script, it was a no-brainer. Yes, yes, yes. Gold. Every time I turned the page.
We're going to see a very, very commercial kind of picture-making.
I'm bringing what I've always wanted: film quality work on television. That's the way it should be.
You have to treat every hour of television you're given like a $100 million movie, and with 'A.D.,' we stepped it up even a stage further.
One of the differences between HBO and other television is that they demand the same coverage that you would have in a feature film. We need to have all the shots in order to make it as rich and as stunning as it looks. We can't cut any corners.
TV drama - not always, but on the whole - were pretty appalling and very secondary, too. No one expected it to be like watching a movie; that was the point. But I think when you start watching 'Vikings,' it is like watching a movie - you're taken somewhere else.
I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!
I wanted to do a period piece. I wanted to be on a show that people would actually watch, that was of quality.
The big budget films have money to do things that are not necessarily essential but sure are comforting. The catering is usually much better. And you have way more of anything you could possibly need. You definitely get a trailer. My shirt and suit for 'Million Dollar Baby' were tailor made.
When you work on a Jerry Bruckheimer film, you can be sure of two things: no production value will be spared, and the catering will be as fine as any really really good restaurant. Jerry is an amazing producer, with a commitment to his films second to none.
