Hand Movement Quotes

You can't have problems with hand movement, if you're going to be a good putter.

Hold a baseball in your hand ... Feel the ball, turn it over in your hand; hold it across the seam or the other way, with the seam just to the side of your middle finger. Speculation stirs. You want to get outdoors and throw this spare and sensual object to somebody or, at the very least, watch somebody else throw it. The game has begun.

Your sound is in your hands as much as anything. It's the way you pick, and the way you hold the guitar, more than it is the amp or the guitar you use.

When you watch your favorite guitarists play, notice how little their hands and fingers move sometimes. The economy of motion can't be overemphasized.

It is not I that am drawing, it is this thing at the end of my hand.

If you think your hands are more important in your golf swing than your legs, try walking a hole on your hands.

I have good hand speed.

I don't swing with my knees. I swing with my hands.

When I write, my brain moves faster than my hands so I'm always trying to picture things.

I love to sing some Beyonce - ya know, like 'All the Single Ladies.' I'll sing that - maybe not with the body shakin' - but I'll have a little bit of the hand movement going on.

Of course, I'm a guitar player, so I'm thinking as a guitarist. I have to work within my physical limitations as to what my hands will do, and also the patterns I'm familiar with, and the places that my fingers are used to going.

I like to use my hands. When I was in theatre in college, that was one of my biggest notes: 'You use your hands too much.'

Every girl - and boy, if you so choose - should take some ballet. Because ballet gives you grace. It gives you [the ability] to work with your hands. It's all about your hands.

The drums are about gravity. Your hand naturally falls down on the drums as you hit them.

How many processes are going on, to keep that teacup level in your grasp? There must be a hundred of them.

The painting is always conceived as the linear record of a rhythmic gesture: it is a graph of a dance executed by the hand. Not only the artist's eye and hand perform this dance, so does the eye of the beholder.

My interest in his new toy, the Theremin, isn't very big. It simply does not fit into my way of playing music. I do not want to fiddle around with my hands in the air.

I do write by hand. I just think - I don't know, it's a physical thing for me. It's a bodily thing. It literally has to earn its way through my hand.

Within a match, there's so many things that happen that could ultimately determine the outcome: You reach too much with your right hand, you step forward with your left leg, you get your head out of position.

If you pick up that information, the first metre or two, the ball coming out of the hand, you can analyse what's coming.

Rhythm is a perception of time... when drawing, the tiredness of the hand is a rhythm.

My pinkie tends to pop out of place a lot while I'm playing - I just pop it back in. I notice it when I move my hand and it feels stiff. I mean, it's been happening my whole life. It's never broken - just pops out of place real easy.

When I draw something, the brain and the hands work together.

I wasn't allowed to throw big hooks and overhand rights until I'd been striking for three years. It's so you don't rely on those things from the very beginning. If your footwork sucks, and you can only stand in one place and throw your hands all crazy while the other person is running around, you're never going to be able to hit them.

The poem is in my hands, and can run stories through her hands.