I think when I started going to war zones and started covering humanitarian issues, it became a calling because I realized I had a voice, and I can give people without a voice a voice... and now it is something that sits inside of me every day.
That's what independent filmmaking does: it gives the underdog a voice, a shot.
You've got so many groups that have no voice in this world - the indigenous, the poor. So how can I use the resources that I have and bring them up, highlight them. And it's not that difficult. It's just choosing and concentrating and focusing.
I have a voice, and I'm trying to use it to be the voice for all the innocent people who don't have one.
When you give everyone a voice and give people power, the system usually ends up in a really good place. So, what we view our role as, is giving people that power.
I try to take what voice I have and I give it to those who don’t have one at all.
Going to where the silence is. That is the responsibility of a journalist: giving a voice to those who have been forgotten, forsaken, and beaten down by the powerful.
I'm here to play certain characters and give them a voice that they might not have had. That's my job, and like it or not, that's what I'm here to do.
The whole point of creating music for me is to give voice to things that aren't normally given voice to.
The act of giving voice to this spiritual suffering is, in my view, the sacred duty of the writer.
I wanted to find a way to speak for people. It was important for me, because so many people spoke for me when I was a kid and made me feel less invisible, and I wanted kids or whoever is listening to my music not to feel so voiceless.
