Funerary Art Quotes

When we see the many grave-stones which have fallen in, which have been defaced by the footsteps of the congregation, which lie buried under the ruins of the churches, that have themselves crumbled together over them; we may fancy the life after death to be as a second life, into which man enters in the figure, or the picture or the inscription, and lives longer there than when he was really alive. But this figure also, this second existence, dies out too, sooner or later. Time will not allow himself to be cheated of his rights with the monuments of men or with themselves.

I'm building a glass pyramid over the Egyptian escalator where my body will be mummified, so my customers can come and see me forever.

The style of ancient Egyptian art is transcendently clear, something 8-year-olds can recognize in an instant. Its consistency and codification is one of the most epic visual journeys in all art, one that lasts 30 dynasties spread over 3,000 years.

I visit English country churchyards where historical figures are buried.

The Egyptian contribution to architecture was more concerned with remembering the dead than the living.

As I passed along the side walls of Westminster Abbey, I hardly saw any thing but marble monuments of great admirals, but which were all too much loaded with finery and ornaments, to make on me at least, the intended impression.

I do like Italian graves; they look so much more lived in.

Tombs decked by the arts can scarcely represent death as a formidable enemy; we do not, indeed, like the ancients, carve sports and dances in the sarcophagus, but thought is diverted from the bier by works that tell of immortality, even from the altar of death.