Cinema ceases to be passive and becomes active: you, the audience, are now, in some senses, in charge of the filmmaking process. You have all got mobile phones, you have all got cam recorders, and you've all got laptops, so you're all filmmakers.
I'm a film geek man. I love toys. I love everything in filmmaking, so for me to just be around this technology is just so cool to watch it being used for the first time, some of the stuff.
Music is, for me, a great tool of a filmmaker, the same way cinematography, the acting, editing, post-production, the costumes are. You know, to help you tell a story.
I discovered shooting and filmmaking around the time all of the software became affordable to anyone with a PC.
Get out and make films. There are so many cameras now to suit any budget, so there are no excuses.
Well, he's got a much bigger circus to play with, and he has a lot more financing available, and he has a lot more time available. I think that makes a huge difference. I think he instinctively knows how to make films and all the different ways that you can make stuff. He's very gadget-wise, and he's very smart about all the different things that are available to a filmmaker nowadays, and he makes very good use of them. He has a theater in his house, for God's sake. It has proper curtains on it and everything. It's pretty wild.
I actually think storyboards are great. I don't draw well enough to do them myself. I've only used storyboards a couple of times. We used two storyboards in 'Margaret': one for the bus accident and for the opera sequence at the end.
We should not confuse having a Flip camera with making a documentary.
I mean, I certainly wouldn't want to paint myself as, you know, the evangelist for practical effects or some sort of anti CG guy because it's really a tool. Like filmmaking is this toolbox and you use what's appropriate in relation to the story.
I've always pre-vized my movies, just on my own. Even when it was, like, zero-budget things, I used this programme to do storyboards because I can't draw that well.
I feel like the beauty of this age of filmmaking is that there are more tools at your disposal, but it doesn’t mean that any of these new tools are automatically the right tools. And there are a lot of situations where we went very much old school and in fact used CG more to remove things than to add things.
I hope people don't compare 2D and 3D because 3D's new, it's unfair to compare to 2D which is really sophisticated, even when we're jaded about it. 3D just began, give it a chance, let the equipment and projection system catch up and be better, let the price go down, let more filmmakers get a hold of it more easily.
