What's so great about Sundance is that they only accept such a small handful of films per year for dramatic competition, so you know when you're going to Sundance that you're going to see top-quality projects.
I don't scoff at the desire to make good movies. I scoff at the quality at poseurs masquerading as masters of the medium.
The cold, mean 'Sunset Boulevard' - a beautiful title, though I suspect it was shot on another boulevard - is further proof of the resurgence of art in the Hollywood of super-craftsmen with insuperable taste.
Gary Ross is a really awesome director. He envisioned everything in The Hunger Games perfectly, exactly how I imagined it, which is perfect to work on because it just makes everything fall into place when you're working.
How many movies do you see when you can say this director really knew what film he wanted to make? I can count them on the fingers of one hand.
Frank Miller is more of a visionary than any director I've ever worked with, and he achieves that vision better than anyone I've ever worked with.
We're able to push the envelope with what we're doing, both on a technical and artistic level, which is the most that any filmmaker can ask for.
There is nothing quite like 'The Night of the Hunter'. I have never seen a film to which it can be fairly compared.
It's always a pleasure and a blissful experience to work with Yash Raj Films banner.
