Film Drama Quotes

You just find the best actors that you can. There's an inherent drama within the framework of scares and killings and all that. In 'Scream,' there is very real drama that would be in almost any drama.

The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.

In my horror movies, I was always trying to deal with real characters and real character drama played by good actors... Laura Linney, Ethan Hawke, Eric Bana, and Tom Wilkinson, people who don't do horror normally.

The best time I ever had with Joan Crawford was when I pushed her down the stairs in Whatever Happened to Baby Jane?

Ever since ROME, OPEN CITY, I have maintained a conscious, determined endeavor to try to understand the world in which I live, in a spirit of humility and respect for the facts and for history. What as the meaning of ROME, OPEN CITY? We were emerging from the tragedy of the war. We had all taken part in it, for we were all its victims. I sought only to picture the essence of things. I had absolutely no interest in telling a romanticized tale along the usual lives of film drama. The actual facts were each more dramatic than any screen cliche.

People tend to think when you're on dramatic films, that it's all so heavy, but it's really not when you're working with great actors.

'Fast Times At Ridgemont High' is one of my favorite movies; it's a film that's a human comedy, it's a drama, and the characters all, in a way, fit the teenage archetypes, but they don't become stereotypes because each of the actors brought their own presence and their own personality to the screen.

'Hate Story 4' is a revenge drama. My character Tasha is the real hero of the film. If you look at the poster, you will know.

Written by Pulitzer Prize-winning playwright Donald Margulies and directed by Sundance nominee James Ponsoldt, 'The End of the Tour' is a terrific film, among the year's best with its two-man tarantella of wall-to-wall talk - and I watched it through my fingers as though it were Mad Max.

I remember on 'Jug Face' working with Chad Crawford Kinkle, who is as sweet as they come. He told me someone had given him advice that if you're making a drama, you basically need to put your main protagonist through living hell in every scene, and then you'll have a successful film. He laughed it off until watching me every day!

Film is drama. You've only two hours, so you lie by exclusion, and try to make up for it by portraying the environment.

Romance-comedy films usually get led by the main actor and main actress, just the two of them. Indeed, I was not sure if I was ready to bear the responsibility before casting in '7th Grade Civil Servant,' but I started gaining more and more confidence as the drama went on.

In terms of script, Bollywood should learn from South Indian scripts. Not talking about the fights and action, I am talking about the drama bit.

When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.

As an actor I've been attracted to the sort of films that I want to go and see. That tends to usually be drama-related.

Everyone equates good cinema with boring shots and boring films - where a character takes 10 minutes to walk down a corridor, and still nothing happens at the end of the shot. Those films tried to be cool and fashionable by dispensing with drama, which, in my opinion, is absolute nonsense.

You know, I loved 'Toy Story.' It's a great movie, but it has some pretty serious drama.

Apart from the highs and lows of when your film releases, there's a strange, addictive quality that making a film has because of all that drama. There's so much that goes on, and we miss it when it's over.

Considered purely as effects-driven filmed drama, 'The Day After Tomorrow' checks in somewhere in the middle of one of Hollywood's most absurd and least lamented dead genres, the disaster pic of the '70s. It's a little better than 'Earthquake' but not as good as 'The Towering Inferno,' because it doesn't star Steve McQueen and Paul Newman.

I love action films. I'd love to do an action drama. I'm always looking to give my character something action-oriented to do.

Boxing is made for film - there is corruption, violence, tragedy and the chance that the underdog can catch the champion with one lucky punch.

Filming a drama is something which you can't tear yourself away.

Sometimes you'll be on sets, and people will be fighting and there will be some nasty person that thinks they're the next Brad Pitt.

I think that's what I really liked about Narc: My character has a real operatic range in a way that older movies used to have.

I'm a huge fan of the films of the '70s and even into the '80s, Sidney Lumet, all those films that used what was going on in people's lives as drama. And not only are you entertained, but hopefully have a greater understanding of your world coming out of it.