I've worked with Judd since 'Undeclared,' and once you work with Judd you never stop working with Judd.
I've done lots of films with first directors, so it's not unusual for me.
I made three films with Douglas, two with Charles Boyer.
I am really excited about my next films, as I am working with big names like Salman and Ranbir.
I'm connected to a Wesley Snipes, and I'm connected to Giancarlo Esposito because of the history of films that we've all been a part of with Spike Lee.
When I did 'Young Guns II,' I hung out with Emilio and Kiefer, and I once took a trip with Rob Lowe - we jumped trains.
I've worked with Frank [Darabont] on two collaborations, The Majestic with Jim Carrey and Stephen King's The Mist.
I am interested in seeing 'Mard Ko Dard Nahi Hota' by Vasan Bala, so I would like to work with him, and I also would like to work with Vikram Aditya Motwani, Abhishek Chaubey, Vishal Bhardwaj, and Kabir Khan.
Harold Ramis and I together did the ‘National Lampoon Show’ off Broadway, ‘Meatballs,’ ‘Stripes,’ ‘Caddyshack,’ ‘Ghostbusters’ and ‘Groundhog Day.’ He earned his keep on this planet. God bless him.
There's is not enough money in Hollywood to lure me into making another picture with Joan Crawford. And I like money.
Since 'A Dangerous Method,' I've had meetings with everyone from J.J. Abrams to the producers of 'Drive.' And they all have the same thing in common; they say: 'Wow you worked with Cronenberg.' He gave me instant film cred.
There are plenty of directors who work with the same actors over and over, many more times than I have. Like I have worked with Bill Nighy more times than I have worked with Kate, but I'm not married to Bill Nighy.
I'm really pleased with the way my career is shaping up. How many actresses get a chance to work with legends like Mani Ratnam and Sanjay Leela Bhansali?
I don't see a full-fledged career in Hollywood. I am happy with the cameos. Even Tom Cruise will only do special appearances in our films; he wouldn't do a full hero movie. But it's good to act in different cinema.
Phillip Harrison was the production designer, though, I think he's uncredited. He's done most of my films like Blue Thunder. Lots and lots over the years.
With John Wayne, we argued all the time and we made four pictures.
I don't know if there's a particular project, but one movie that I was really disappointed I didn't get to work on was Judd Apatow's 'Walk Hard.'
If you have superheroes or characters that exist in the same world, and you're doing movies of them, wouldn't it be fun to put a couple of them together in one movie? Audiences love that. It's a natural thing to do that.
Working with Ricky Gervais one week, Rutger Hauer another week, John Stamos, was fantastic.
I'm in so many Charles Bronson films because no other actress will work with him.
I wanted to work with Mike Leigh. I had my list of British people I wanted to work with, and I wanted to work with David Lynch and Woody Allen.
I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
The movies I've done with Wes [Anderson] have a much different quality than some of the more broad comedies. But what is interesting is how many sequels I've done. I've worked with Ben [Stiller] a million times now, and this is yet another sequel we're doing. I guess we're lucky to be in some movies that people wanted to see again.
I've never played a Dane in a movie. I've had offers to be in Danish movies, including for some good directors, but I either had a job at the time or, when I was available, the movie just didn't happen. Hopefully someday I'll do one.
There are certain filmmakers I'd like to work with that I don't think would take a risk with me, because I could be distracting in their film. It'll take a couple films to prove to them that it's worth the risk.
